From why "good enough" is often more than enough, to the surprising power of putting on a pair of socks, Adam shares the small shifts that can make a big difference to your day. He reflects on trusting your instincts, embracing imperfection, and why chasing "cool" might be the very thing holding you back.

There's humour, a bit of chaos, and some genuinely thoughtful moments along the way, including a simple question about what you'd do with $150 that reveals more than you might expect about priorities, creativity, and how we choose to live.

It's a short one, but it might just stay with you.

Dialling in from Hawaii, Adam shares how leaving New York forced him to untangle his identity from his work, his city, and the version of success he'd been chasing for years. What followed wasn't a dramatic reinvention, but something quieter and more meaningful—a shift towards simplicity, honesty, and figuring things out in real time.

They talk about burnout, creative cycles, and the uncomfortable question so many of us are sitting with right now: what next? Adam reflects on how his work has evolved alongside his life, moving from hopeful striving to something more grounded, self-aware, and forgiving.

There's also a glimpse into his upcoming book, Now What?, a project shaped by uncertainty, growth, and the reality that none of us ever really have it all figured out.

It's a conversation about letting go of perfection, embracing change, and finding a version of success that actually feels good to live with. Funny, candid, and quietly reassuring, you'll realise that you're allowed to change your mind, path, and pace... no matter where you are right now.

We chat about music that fuels his thinking (hello Aphex Twin), the films that have stayed with him (Kubrick, of course), and why noticing the everyday might be the most important creative skill of all.

There's also talk of creative heroes, strange rituals, and the kind of dinner party that would properly stretch your mind. Yes, it's a lighter, more personal conversation. But as always, there's plenty in there to take away.

So in this episode, we get into all of it. AI, of course. The pace of change. And this idea that keeps coming up right now… that when everyone has access to the same tools, what really sets you apart is your taste.

We talk about the risk of everything starting to look the same. Why originality still matters. And how to hold onto your voice when the world is moving this fast.

It's a big conversation. But, as we've come to expect from Aporva, it's also an optimistic one. It's about possibility and making things. About not waiting around for permission.

So if you've been feeling a bit unsure about where you fit into all of this, this one might just give you a boost.

We talk dream dinner parties featuring Tilda Swinton and Ann Patchett, why "just follow your passion" might be the worst advice in the creative industry, and what she's currently curious about in a world obsessed with short-form everything.

Nicki shares her most controversial creative opinion, the one trend she's quietly over, and the small change that instantly improves her workday. There's also ambient electronic music, imaginary album titles and a question for the next guest.

It's thoughtful. It's playful. And it reveals more of the human behind the CEO title. If you enjoyed Monday's episode, this is where you'll get to know Nicki a little better.

Season 11 of The Creative Boom Podcast opens with Katy Cowan and Nicki Sprinz, CEO of ustwo – the studio behind Monument Valley – digging into the digital coaching revolution. What it looks like in practice, why it works when it does, and what it means to build technology that sits close to people's health, confidence and daily lives.

Nicki has lived this. A former smoker who swapped one habit for running, she now helps brands create digital experiences that drive real behaviour change — from gut-health companions to fitness apps to smoking-cessation tools. One of their betas saw 75% of users engage more meaningfully with their health after just one month.

They also talk about what all of this means for creatives: the changing shape of careers, why curiosity beats passion every time, and why critical thinking has never mattered more than in a world where AI can get you to the wrong answer faster than ever. This isn't an AI hype conversation. It's a grounded, generous one with a whole heap of hope. A new season begins. Right here.

Chris answers quick-fire questions about his quirks, his guilty pleasures, the creative advice he ignores, and what really happens behind the scenes when he's out of his depth.

They discuss parenting, music, creative identity, and the inner critic he has named Steve. There are seaside amusements, mosh pits, broken toes, and a surprising amount of wisdom tucked into the laughter. It's a warm, human conversation about what keeps us going when the work gets tough, and life gets messy—a gentle, joyful way to close the season.

Chris grew up working class in Clydebank, a kid who took things apart to understand how the world worked. That curiosity shaped everything. So did hardship. He talks openly about trauma he never recognised as trauma until therapy named it: a violent attack at university that left deep physical and emotional scars. The loss of his dad. Years of pushing pain aside and throwing himself into work because survival sometimes looks like graft, not clarity.

And yet. Through humour, compassion, and the stubborn belief that he could always graft his way forward, Chris built a career spanning product design, graphics, branding, packaging, and beyond. He tells Katy how he learned to reframe fear into momentum, why being a generalist has kept him afloat in changing times, and how a decade of running Stckmn has been as much about resilience as it has design.

They talk about belonging, too. About feeling out of place in creative spaces that can still feel elitist. About the invisible hierarchies that quietly shape the industry. And the joy of realising most of us are just muddling through, hoping no one notices our nerves. It's a candid, funny, deeply human exchange.

Chris also shares the burnout that landed him in hospital, the difficult lessons about boundaries he's trying to honour, and the softer tools he's building as a dad. His son, Caleb, pops up as a recurring theme. A reminder of why slowing down is key. Why healing matters. And why showing up as the gentler version of ourselves is important.

This is a conversation about making peace with your younger self. About the courage to start again, no matter how many times life has knocked you sideways. And about the strange, hopeful power of creativity to stitch us back together. A beautiful way to end the season. A reminder that even in the mess, even in the dark, there's always a way to move forward.

There's talk of graffiti, guilty pleasures, strange compliments in Japan, and the emoji she overuses so much it's basically become her personal brand. We also discover what's sitting at the top of her camera roll this week and why it made her heart burst.

Along the way, Joy and Katy veer into fish-and-chip politics, studio nostalgia, and the odd ways creative leaders get themselves into the right headspace before big moments.

And to wrap things up, Joy poses a brilliant question for next week's guest, Chris Wilson — one that might reveal how he gets himself fired up, calm, or somewhere in between.

Joy shares why she and co-founder Ben walked out of permanent jobs with nothing lined up, how "never doing shit work" became a founding principle, and why saying no early on shaped the kind of clients they attract today. She also opens up about buying Ben out, staying friends, and why founders should be allowed to leave without drama.

The conversation delves into the realities of running a studio after the pandemic. Joy talks about the economics no one wants to touch publicly. Productivity, hybrid working, the way slowed pace quietly kills profit, and why getting people in a room together still matters more than anyone wants to admit.

She also reflects on what it means to be a tall American non-designer leading a London agency, the label "female-founded", and how it lands in different rooms, including very male, sports-led organisations. There is an honest chat about ageing as a woman in a visual industry, being "an older woman" in the room, and the subtle ways respect and perception can shift.

We get into family, identity and what really keeps her going. Joy talks candidly about growing up in California with a father whose career was destroyed by alcoholism, how that experience turned financial security into a core driver, and why she has built a career around helping people feel like they belong in places.

Katy and Joy also compare notes on menopause, confidence, video, and the strange process of becoming more visible just as your face starts to change. They talk about raising children, how different generations see work and politics, why debate and nuance matter, and how to keep reading beyond your own bubble.

Towards the end, Joy shares the advice she would give her 30-year-old self. Chill out and don't overreact. Delegate sooner. Let designers hear clients unfiltered. Guard relationships and stay in touch with people who back your work. Underneath it all, she admits that for all the big ideas about cities, identity and belonging, the real engine has always been simple: keep the people you love safe and secure, and keep your brain switched on for as long as you can.

A big, honest chat about work, power, ageing, politics, money, motherhood and why many of us build studios in the first place.

Matt shares what he wishes he were good at, how he handles creative jealousy, and a few stories that reveal the lighter side of life. There's even an asteroid question and a brilliant one for our next guest.

Light, funny and perfectly human, it's the ideal post-pod companion.

Matt's been in the game for three decades – from Trickett & Webb and 300million to co-founding his Brighton studio with Dom Bailey in 2012. Since then, they've built thoughtful, human brands for Oxford University Press, The Body Shop, London Symphony Orchestra, Royal Mail and the BBC.

But it's his side project, The Design Laundry, that really caught my eye. It's a gloriously honest archive of our industry's mishaps – typos, rogue emails, pitch disasters – and the lessons that come from them.

We talk about growing up in Burnley, moving south, why pondering still matters, and how to keep a studio human when speed rules everything. We also get into Brighton's creative scene, building community, and why staying off Instagram helps with creative jealousy.

It's warm, funny and refreshingly honest... with bonus seagulls.

We talk about fear, firsts, and learning new tools the hard way. She shares the single phrase a client used to define Design Army's signature. It's a good one. There's scent, style, and a guilty pleasure that might surprise you.

We finish with Pum's question for our next guest. A big what-would-you-do that you'll be answering in your head before the credits roll.

In this conversation, Pum shares how she and her husband Jake turned a yard sale poster into their first break, why every project is a calling card, and how choosing clients with intent can shape the future of your career. We talk about the balance between paid work and passion projects, what it really takes to build a studio with grit and perseverance, and why leadership means being a coach, a cheerleader, and sometimes a plumber.

Pum also reflects on staying relevant in an industry shifting at lightning speed, how AI and social media are changing client expectations, and why authenticity and craft still matter more than ever. This conversation is about courage, focus, and carving your own path – and it's packed with practical wisdom for anyone dreaming of their own creative career.

We talk about his inner critic (which sounds suspiciously like his mum), the smell of childhood baseball gloves, and why Bruce Lee remains his creative hero. There's talk of UFOs, the perfect typeface, and what he'd say if he ever met an alien. It's curious, funny, and full of unexpected wisdom... the perfect companion to Monday's deeper dive.

Tune in, share it with a friend, and don't forget to subscribe so you never miss a moment of The Spark.

We talk about the making of Nike's Pigeon Dunk, the sneaker that sparked a riot in New York and put Jeff on the map, and what it's like to live with both the blessing and the curse of being known for one career-defining hit. He shares how he turned brands like Brooks, Crocs and Cole Haan into unexpected lifestyle favourites, what he's learned about launching his own creative agency in a competitive industry.

It's a rich, funny and surprisingly human conversation about resilience, reinvention and what it really means to stay cool in a world that loves to label you. Expect plenty of sneaker stories, a little philosophy and the reminder that, whatever mountain you're on, this too shall pass.

After their in-depth Creative Boom interview, this follow-up is all about quick-fire questions, impulsive stories and surprising confessions that shine a light on the person behind the craft.

Ashley reflects on the moments that keep her on her toes, shares a travel tale that takes an unexpected turn, and drops a few wonderfully awkward nuggets from her younger years. There are laughs, a touch of vulnerability, and plenty of sharp insights about creativity, communication and the quiet power of words. It's warm, witty and just a little unpredictable—the perfect companion piece to her main interview, and a reminder that the best sparks come when you loosen the rules and let the conversation roam

Ashley explains how great design and great copy are two languages expressing the same powerful idea, and why the best words are often the simplest. She talks about creating a "source code" for clients—a clear, truthful narrative that defines what they stand for before anything goes public. Along the way, she reflects on feminist leadership, the quiet sexism still present in the industry, and the importance of psychological safety in allowing creative teams to take risks and be brave.

This is a warm, funny, and deeply honest conversation about finding your voice, redefining success, and holding your nerve in a world that often rewards style over substance. Whether you're a writer, designer, or anyone navigating a creative career, Ashley's insights on storytelling, authenticity, and quiet power will leave you feeling inspired and understood.

Zoë shares the small rituals that keep her grounded, including solo dance parties to a playlist that gets her out of her head and back into her body. She goes nostalgic with scents that pull her straight back to her childhood years in Brunei. Think bug spray, sunscreen, and memories of the rainforest. There are fairy folktales, a dream dinner with Ella Fitzgerald, and a defence of Helvetica that will make every designer nod.

You also get TikTok envy handled with grace, a love letter to Pinterest, a new font purchase, and a gentle debate on spice levels. It is warm, funny, and honest. Listen if you need a creative lift, a reminder that balance beats hustle, and a nudge to make space for play.

Zoë shares the story behind Sweet Thang's beginnings, from collaging spreads at home to crowdfunding to pay contributors. She explains why zines remain such a powerful and democratic medium, offering a direct connection between creator and reader, without the need for algorithms or gatekeepers. With a warm and candid honesty, Zoë talks about the freedom of imperfection, the joy of making something physical, and the thrill of giving people their first-ever byline.

Together, Katy and Zoë explore the enduring magic of print in a digital world. They discuss why physical publications feel more important than ever, offering permanence and value in an age of fleeting feeds. They also touch on the challenges of running a passion project, the lessons learned along the way, and the communities that keep them both inspired. It's a conversation filled with humour, insight, and plenty of creative wisdom—perfect listening for anyone who wants to make something of their own.

In this after-show, Emily reveals the actress she's convinced should play her in the movie of her life, the hill she'd happily die on when it comes to creative work, and why she secretly believes in fairies. She talks about childhood obsessions, her love of condiments, and the magazine she launched at the age of nine.

It's warm, funny and full of surprises... the perfect companion to her full conversation with Katy, released earlier this week.

Emily shares findings from her new report, Fully Saturated, which analysed over 150 UK branding agencies. The results reveal a sector drowning in sameness – studios echoing the same promises, paralysed by fear, and too often hiding behind portfolio thinking. But Emily also uncovers the brave outliers: agencies daring to own their difference, lean into what makes them unique, and turn it into a powerful advantage.

Their conversation digs into why creatives find it so hard to position themselves, the emotional blocks that keep agencies stuck, and how her 'Brandstrand framework' – with 18 distinct strategies – can help any studio discover what it truly wants to be famous for.

Emily also speaks openly about her own journey, from launching Be Colourful in 2013 to embracing her voice as a "quiet" strategist in a loud industry, and why confidence starts with honesty.

It's a sharp, inspiring episode full of practical takeaways... the kind that will help you ditch the copycat mentality and start standing out for the right reasons.

In this light-hearted after-show, Claire shares the rituals that keep her grounded, the superstition she secretly (or not so secretly) follows, and the teenage scents that instantly take her back. She reminisces about nights out at the legendary Hacienda, admits the last time she felt out of her depth, and reveals the music icon she'll always worship.

It's fun, personal and full of surprises – the perfect companion to her full conversation with Katy, released earlier this week.

Claire reflects on how the industry has transformed since she started out – from mornings spent clipping newspapers to today's reality of AI search and zero-click content. She shares why human connection still matters more than ever, how design needs a stronger voice in business, and why many agencies are asking the same hard question: what's the point of PR anymore?

Their conversation ranges from the decline of traditional media and the rise of generative AI, to the new skills agencies need to survive. Claire also speaks candidly about her own journey... from overcoming a fear of public speaking to building confidence as a leader, and why being direct is often the kindest approach.

It's a thoughtful, optimistic episode that explores the future of PR and marketing, the resilience of creativity, and how to find clarity in a world full of noise.

In this playful after-show, Brian reveals the piece of creative advice he always ignores, the guilty pleasure he'll defend to the death, and the oddest compliment he's ever received. He talks about the colour that has defined his life, the mythical creature that best sums up his creativity, and why Oreos are basically the design equivalent of a perfect steak.

He also shares the question he'd rather not ask but knows he should, who he'd invite to a dream dinner party, and the medium he secretly wishes he'd mastered.

It's cheeky, candid and full of Brian's trademark humour – the perfect companion to his full conversation with Katy, released earlier this week.

Brian reveals how a childhood moment involving a bright orange tie taught him the importance of standing out, persistence and courage. He explains his idea of the "second dragon" — why every creative challenge hides a deeper problem beneath the obvious one – and how this philosophy has shaped COLLINS' approach to some of the world's biggest brands.

He also shares a health scare that forced him to confront what really mattered, his unflinching take on AI as an "alien intelligence" that creatives must learn to work with, and why he gave up chasing happiness in favour of something far more powerful.

It's a big, generous episode with lessons on resilience, imagination and the future of design... all told with Brian's trademark humour, wit and energy.

In this playful after-show, Halli reflects on the first book that changed him, the moments he's felt out of his depth, and the creative hill he'd happily die on. He opens up about the small rituals that keep him going, the impulsive adventures that shaped him, and even lets slip who he'd invite to his dream dinner party.

It's thoughtful, funny and full of surprises – the perfect companion to his full conversation with Katy, released earlier this week.

Halli opens up about the personal challenges that shaped his outlook, from losing his mother to living with muscular dystrophy. He talks candidly about how pain, addiction and loss have fuelled both his creativity and his compassion. Katy explores his journey from building Ueno, the celebrated design agency later sold to Twitter, to founding Ramp Up Reykjavik, a project that built thousands of wheelchair ramps across Iceland and beyond.

Their conversation ranges from the thrill of creative success and the burnout that follows, to why giving back is not just an act of generosity but a way to survive. Halli reflects on the importance of purpose, his belief in resilience as a daily choice, and how friendships and small rituals help him navigate life.

It's a moving episode about finding meaning, challenging yourself, and embracing kindness as a superpower in both work and life.

In this episode, Paul reveals the discipline he secretly wishes he was good at, admits who has sparked a little creative envy, and shares the small rituals that make his days brighter. He talks about the scents that instantly take him back to childhood, the historical figure he'd love to swap lives with, and the one thing he wishes he could believe in.

From emojis to dream dinner guests, it's a playful and candid conversation that lets us see another side to one of electronic music's most enduring publishers.

Paul looks back at the golden days of music magazines and club culture in the '90s, sharing stories of launching a fanzine on a shoestring, running sell-out nights that booked Daft Punk, and building a magazine that captured the spirit of electronic music.

He also talks candidly about burnout, the collapse of Jockey Slut, and what it took to start again. With Disco Pogo, Paul has found a way to honour the past while creating something fresh for today – a print magazine rooted in authenticity, community, and the stories behind the music. This is a conversation about resilience, reinvention and keeping the magic alive in a changing industry.

Join host Katy Cowan for warm, candid conversations with fascinating guests – from celebrated names like Paula Scher, Gail Anderson, and Stefan Sagmeister to emerging talents making waves in their own unique ways.

Every Monday, you’ll hear honest stories of personal breakthroughs, creative frustrations, and the messy, human side of making things. Then stick around for The Spark, a fun bonus episode every Thursday where each week’s guest answers unexpected questions and reveals the quirks you don’t always hear in a regular interview.

Whether you’re after a deep, inspiring chat or a playful behind-the-scenes peek, The Creative Boom Podcast has you covered. Subscribe now and join the conversation.

We chat about parenting, drum and bass, the strange comfort of Marcus Aurelius audiobooks, and the surprisingly joyful art of reading mean internet comments. James also reveals the creative outlet he's rubbish at (but would love to master), the most embarrassing pitch moment of his career, and the one thing he wishes Apple TV would sort out immediately.

This one's for the curious, the creative, and anyone who's ever planted a hydrangea in the shade and called it therapy.

And that's Season Nine wrapped up. It's been an absolute blast. We've loved every minute. Thank you to all our guests for joining us on the show, and a big thank you to the School of Communication Arts for making this season possible.

We'll be back in the autumn with fresh guests, new and exciting themes, and more fun and games. Until then, have a great summer.

James reflects on a decade of building one of the most talked-about studios in the industry, from humble beginnings and "recycling problems" to global offices, high-profile clients like Amazon, and a team that now numbers over 180.

We explore how Koto evolved from a scrappy underdog into a creative heavyweight and how James has managed to maintain a startup mentality, champion a people-first culture, and fiercely protect creative standards as the business scaled. He also shares why independence is having a moment, how AI is creating a flood of "automated slop", and why great creativity matters more than ever.

Elsewhere, we touch on the emotional moments behind launching Koto, the leadership lessons learned, and how staying close to the team (and away from perfectionism) keeps the company grounded. There's also time for thoughts on social media fatigue, what makes a strong agency-client relationship, and why—despite a love of good work—he's only raised his voice three times in a decade.

We wrap with some honest wisdom: whether you're running a studio or thinking about starting one, James offers no-nonsense advice on what it really takes.

This season is proudly sponsored by the School of Communication Arts.

From early mornings in silk gowns (or just pyjamas) to the emotional support cuddly toy that's seen it all, we explore the rituals, irrational comforts and unlikely talents that fuel creativity.

Fiona reveals why she gets dressed up for phone calls, how she's surprisingly skilled at matching pairs, and why her funeral will feature a gospel choir and a rocket.

We also cover the freedom that comes with age, the power of dressing for yourself, and the joy of not being brilliant at everything. Plus, the imaginary stage show we never knew we needed: Mystic Fiona at Shangri-La. Come for the giggles, stay for the insight – and find out what she'd be doing if PR hadn't worked out (hint: solving crimes on the book tour circuit à la Jessica Fletcher).

This season is proudly sponsored by the School of Communication Arts.

They explore how Fiona and the team have completely reimagined how they communicate with audiences—ditching traditional social media announcements in favour of handmade risograph posters, seed packets, and direct, analogue experiences that celebrate slowness and real-world connection.

Fiona shares how Shangri-La's new theme, 'The Wilding', is more than just a creative direction—it's a complete reset, inviting us all to consider how we share stories, connect with people, and move away from platforms we don't truly own. The conversation is a refreshing and empowering reminder that creativity can flourish in new ways, especially when we embrace age, messiness, and the freedom to do things differently.

Together, Katy and Fiona reflect on their careers in PR, the shifts they've seen across media and design, and the joy of doing things on your own terms. Expect nostalgia, a few Pedro Pascal tangents, and plenty of wisdom on everything from personal growth to rediscovering magic in our work and lives.

This season is proudly sponsored by the School of Communication Arts.

Kenny shares the one design rule he tries not to break (but sometimes does) and how his relationship with creativity has evolved from being a perfectionist to embracing a more open, collaborative approach with his team.

There's also a loving tribute to St. Lucia, where he escapes to reset and recharge; a flashback to his pool hustling days in the Bronx; and an unexpected comfort found in a dog named Hero, who really needs to stop biting people's feet.

We also hear about his favourite funeral song, the word he never wants to hear again (bandwidth), and the oversized bag of Fruit Pastilles that didn't survive the first half of Mission Impossible. And yes, there's a Tom Cruise story... because, of course, there is.

This season is proudly sponsored by the School of Communication Arts.

The founder of Gravillis Inc., Kenny shares how he went from designing panty shield ads to working at Def Jam by age 21, and later building a studio in LA that now works with the biggest names in Hollywood. He reflects on meeting Spielberg, working with Spike Lee, and why staying humble (and kind) has been his secret weapon.

They also talk about the challenges of breaking into a closed industry, navigating the shift from music to film, and why AI won’t replace the nuance of human-made art anytime soon.

Oh, and the time Christoph Waltz thought he'd been cut from Inglourious Basterds because Kenny didn't give him a poster.

This season is proudly sponsored by the School of Communication Arts.

Expect everything from shameful Brownie troop confessions and controversial creative opinions (spoiler: she doesn't think we're artists), to what it's like flying business class for the first time and being traumatised by cyclists in London.

Along the way, Emily shares the two pieces of advice that have helped her survive as a creative leader, reveals the one word that gives her the heebie-jeebies, and admits her irrational comfort phrase, courtesy of her Yorkshire grandparents: "Hope it works out for you".

There's even talk of Wyoming ranches, Branston Pickle nostalgia, and a shared hatred of faffing. Honestly, it's a miracle anything got done.

This one's for the high-achievers, the people-pleasers, and anyone who's ever been told to "just relax".

This season is proudly sponsored by the School of Communication Arts.

They talk openly about what it means to take up space as a woman in business: being talked over, underestimated, and navigating the exhausting tightrope between being "too much" and "not enough". In fact, they had to record the episode twice after having too much fun the first time around — which sparked a deeper conversation about likability, being taken seriously, and the narrow boxes women are still expected to fit into.

We also hear about Among Equals' unique philosophy, its bold plans for the future (including an eventual sale), and what real disruption might actually look like in the creative industry.

Funny, honest, and packed with insight — this is one to bookmark if you're dreaming of building something of your own.

This season is proudly sponsored by the School of Communication Arts.

Adrian shares his most controversial creative opinion (and it's a good one), the best advice he's ever received, and the one ordinary day he'd relive if he could. He also reveals the word that gets on his nerves the most, his favourite place in the world, and a random dream that's stuck with him. And yes, we discover his party trick.

It's the perfect way to wrap up the week, with a few laughs, a few surprises, and even more insight into the creative mind behind D8.

This season is proudly sponsored by the School of Communication Arts.

They talk candidly about starting out in the late '90s, why human relationships still sit at the heart of good business, and how trust and intuition have helped D8 grow into one of the most respected independent studios in the UK.

Adrian also shares exciting news about D8's latest venture: the launch of a bespoke type foundry, ABCD8, and why ownable, AI-proof assets are becoming essential in today's creative landscape.

Expect a thoughtful, grounded conversation about longevity, integrity, and why sometimes... the logo does need to be bigger.

This season is proudly sponsored by the School of Communication Arts.

Emma shares her most controversial creative opinion (spoiler: not everything is "transformative"), the word that gives her the ick, and why she relates most to an octopus. She also opens up about OCD rituals, arguments she has to win, and the rejection that taught her the most — including the first time she applied to Wolff Olins.

Packed with warmth, dry wit and big heart, this is the perfect follow-up to Emma's main episode on class, creativity, and carving your own path.

This season is proudly sponsored by the School of Communication Arts.

They explore why the industry still has a long way to go when it comes to genuine inclusivity—especially in terms of class and social mobility. Emma talks about how expensive cities like London continue to block access for many talented creatives and how the legacy of connections and privilege often dictates who gets a foot in the door. It's not just about ticking boxes on a diversity form—it's about meaningful, systemic change, and it needs to start at the top.

Emma also shares her experience of imposter syndrome and learning to embrace her own voice, even when it didn't fit the mould. From overcoming dyslexia to navigating a male-dominated creative scene, she reflects on what it took to unlearn shame and reclaim pride in her background. We hear how she's now determined to be the mentor she never had—helping others who feel like outsiders realise their worth, whether they're neurodiverse, working class, or just don't see themselves represented.

This episode touches on everything from unpaid internships and university barriers to the superpower of growing up without a safety net. Emma doesn't shy away from the difficult truths—but there's also humour, hope, and a rallying cry for change. If you've ever felt like you don't belong, this one's for you.

This season is proudly sponsored by the School of Communication Arts.

From the best advice she's ever received to a dream she can’t forget, Liz shares her most controversial creative opinion, the word that drives her mad, and the one ordinary day she'd relive if she could.

Warm, funny, and full of heart — it's a lovely listen for anyone who's ever wondered if they're doing this creative thing "right".

This season is proudly sponsored by the School of Communication Arts.

Together, Katy and Liz dive into the highs and lows of running a podcast (awkward endings included), why less polished content often resonates more, and how confidence grows through real conversations. They reflect on the unexpected networking opportunities that arise, the importance of making guests feel at ease, and the joy of being unfiltered, unpolished, and unapologetically real.

The episode is full of practical advice for aspiring podcasters, including why you don’t need expensive equipment to get started, how to trust the process, and why you should start before you feel ready. Later this week during our bonus episode, The Spark, you'll also hear plenty of quirky anecdotes—from dream analysis and family picnic fails to their mutual loathing of the word niche.

Whether you're podcast-curious or already recording in your cupboard, this is an inspiring, entertaining chat that celebrates creativity, confidence and the power of being yourself.

This season is proudly sponsored by the School of Communication Arts.

From his controversial view on talent (spoiler: he's not sure it exists) to why OK Computer still hits after all these years, Sam talks about creativity with humour, humility, and heart. We talk Comic Cons, the comfort of pop culture, and the Sunday roasts and video games that make life sweet. He also shares the embarrassing moment he met his childhood hero Tony Hart—on national TV—and why his worst nemesis is often… himself.

This is a joyful, down-to-earth episode that celebrates fandom, family life, and the magic of just making stuff.

This season is proudly sponsored by the School of Communication Arts.

In a lively and nostalgic conversation, Sam and host Katy Cowan explore what it means to survive and thrive as a creative today — through economic downturns, industry disruption, and the ever-looming rise of AI.

From early web design adventures and building Weetabix’s first website, to becoming a go-to artist for Blu-ray covers and film posters, Sam reflects on more than two decades of creative resilience. He talks candidly about the shifts he’s seen, the challenges illustrators face now, and why doubling down on your passion — even when things get tough — is more important than ever.

We also hear how becoming a dad sparked a major career pivot, how Sam built a reputation in the pop culture gallery scene, and how he’s learned to spot opportunities when things go quiet. Along the way, there’s talk of cereal box nostalgia, VHS cover art, Comic Con antics, and a surprising run-in with Tony Hart on national TV.

It’s a conversation packed with humour, insight, and a big dose of honesty — perfect for any creative wondering how to keep going, keep growing, and keep doing what they love.

This season is proudly sponsored by the School of Communication Arts.

From why kindness is the best lesson she's learned in her career, to the odd comfort she gets from even numbers, Gnome shares stories with humour and heart. We talk about the ideas she's proud of (even the ones that never made it), her unexpected Joe Pasquale impression, and why her sock drawer is so meticulously organised it includes a single, unwearable pair.

Gnome also opens up about sleep struggles, audiobook obsessions, and what she'd like to see from future male role models. Her answer? Less bravado, more empathy. This is a warm, thoughtful episode that celebrates quirks, creativity, and the quiet power of simply being kind.

This season is proudly sponsored by the School of Communication Arts.

Gnome shares her incredible journey from growing up in foster care to carving out a thriving career in advertising. With honesty and humour, she reflects on the chaos of her early years, the stereotypes she battled, and the pivotal moment that made her decide to change her life. From raising over £26,000 to attend the School of Communication Arts, to landing her dream job, it's a story of sheer determination and grit.

The conversation also explores the power of kindness, the emotional rollercoaster of creative work, and the importance of opening up—particularly in an industry where vulnerability is still often seen as a weakness. Gnome talks openly about navigating rejection, overcoming imposter syndrome, and why she’s passionate about supporting underrepresented voices in advertising.

If you've ever felt like you didn’t belong, or if you've had to fight harder than most to find your place, this episode will speak to you. It's a candid and uplifting reminder that our differences and our experiences are often our greatest strengths.

This season is proudly sponsored by the School of Communication Arts.

Each Spark now features a bonus conversation with our guest from earlier in the week. Today, we're once again joined by the award-winning creative director, Christine Smith, who returned for a little more fun—and a few unexpected surprises.

Christine shared some brilliant insights on Monday's episode, where we explored what it means to become the role model you never had. If you missed it, go back and give it a listen. But in this Spark, we dive into the more personal side of Christine's world: her creative rituals, her love of horses and thrift shops, a very convincing baby cry, and what she'd do if she ever needed to escape a bad date. (Spoiler: it involves that baby cry.)

We also discuss why intuition is such a powerful creative tool, the importance of listening to your gut, and how nature and nostalgia feed Christine's imagination. And as always, we end with a thought-provoking question for next week's guest.

This season is proudly sponsored by the School of Communication Arts.

Christine shares her personal journey of navigating a male-dominated field, describing how she spent her early career without any female figures to look up to. This gradual realisation shaped her mission to become the kind of role model she never had, especially for the next generation of fearless female creatives in Denmark and beyond.

The conversation delves into identity, reinvention, and the freedom that comes with creating your own path. Christine talks openly about how moving to London allowed her to explore who she truly wanted to be, both professionally and personally. From changing her appearance to challenging industry norms, she embraced a bold transformation that reflected her creative spirit. Fashion became a key medium of self-expression, one that eventually played a powerful role in a pivotal moment at Cannes Lions 2022, where Christine took a stand for body positivity by wearing a striking outfit that challenged the industry's standards.

Katy and Christine also tackle the ongoing challenges around diversity and inclusion in the creative world, particularly in Denmark, where the landscape remains overwhelmingly white and male. Christine stresses the importance of visibility and representation, arguing that seeing people who look like you doing what you aspire to do is essential for building confidence and ambition. She notes that while some progress is being made, there’s still a long way to go—especially when it comes to leadership and ownership in the industry.

Mental health is another vital topic discussed in the episode. Christine opens up about her personal experiences with anxiety and burnout, and the difficult—but—empowering decision to take time off and begin medication. She reflects on how stigma around mental health still affects leaders, particularly women, and emphasises the need to normalise these conversations. Her honesty is both refreshing and inspiring, reminding listeners that strength comes not from hiding our struggles but from facing them and taking responsibility for our well-being.

The episode ends with advice for younger creatives who may be struggling to find role models of their own. Christine suggests looking beyond the industry to find people who share your values and energy, and using that inspiration to shape a creative identity that feels authentic and empowering.

Packed with candid insights, empowering moments, and a healthy dose of humour, this conversation celebrates courage, reinvention, and the power of lifting others as you rise.

This season is proudly sponsored by the School of Communication Arts.

Each Spark now features a bonus conversation with our week's guest. Today, we're joined once again by Kiser Barnes, partner and CCO at Red Antler, who returns for some quick-fire fun.

Kiser joined us on Monday to explore the intersection of creativity and technology, and why optimism and authenticity are so vital in an AI-driven world. If you missed that, you can catch up here. But for this Spark, we're diving into the part of our chat where things got a little more personal—and a little more playful.

Kiser shares the lessons he's learned from influential creatives, opens up about controversial opinions on design (including why kerning might be a bit overrated), and reflects on why nostalgia is such a powerful force in our lives. He also reveals why he thinks every creative should have a nemesis and offers a few surprising thoughts about inspiration and identity.

This season is proudly sponsored by the School of Communication Arts.

The conversation covers the future of advertising, with Kiser predicting a shift towards deeper personalisation that makes ads feel more relevant and human. They also discuss how storytelling in film and gaming may evolve into more immersive, non-linear experiences, blending the digital and physical worlds in exciting new ways.

Kiser highlights the importance of human connection amid rapid technological change, and how brands must continually adapt to stay alive and relevant. Creativity, he believes, should act as a form of rebellion against fear-based narratives, with humility and generosity as essential companions to innovation.

This is a hopeful and energising conversation about the future of branding, creativity, and technology—one that champions optimism, authenticity, and the enduring importance of the human spirit.

This season is proudly sponsored by the School of Communication Arts.

Now, each Spark features a bonus conversation with our week's guest. For this first revamped episode, we're joined by Michael Johnson, the founder of Johnson Banks, who returns to have some fun.

Michael joined us on Monday to explore whether we're living through a phase where all design looks the same. If you missed that, you can catch up here. But today, he's answering eight quick-fire questions that give us a glimpse behind the brand and the professional façade. Expect everything from the deep and meaningful to the completely absurd.

He shares what he believed five years ago but no longer does, reveals his incredible party trick, and even plays us something on his beloved blues guitar.

This season is proudly sponsored by the School of Communication Arts.

From swirling animations to hyper-minimalist logos, we unpack why charities, fintechs, and universities now often look indistinguishable. Is it the influence of AI, digital platforms, or a case of designers chasing trends too quickly? Or is it the ongoing economic uncertainty that's making everyone risk-averse?

Michael shares sharp insights on client influence, accessibility demands, and the speed at which design trends now spread. He also reflects on timelessness, his obsession with kerning, and how we might zig while everyone else zags. This is a must-listen for anyone questioning whether design has lost its edge and how we might find it again.

This season is proudly sponsored by the School of Communication Arts.

As another year draws to a close, it's time to wrap up projects, reflect on your achievements, and embrace the magic of the holiday season. In this special episode, founding editor and podcast host Katy Cowan invites some favourite past guests to share their holiday plans, personal traditions, and playful answers to questions like, "What would you ban at Christmas if you could?" and "Who would make the ultimate festive lunch guest, dead or alive?"

Whether you're winding down with cocoa or a holiday drink of choice, take a moment to savour the year, laugh with us, and find a little creative cheer. It's the perfect way to end the year on a high note.

This episode features an incredible lineup of past guests, including Barrington Reeves, Lisa Smith, Graeme McGowan, Katie Cadwell, Miles Watts, Cat How, Trent Payne, Seema Sharma, Angela Roche, and Luigi Carnovale. They share their holiday traditions, creative reflections, and light-hearted takes on the season's quirks.

It also marks the end of Season Eight of The Creative Boom Podcast. As we take a short break, we encourage you to explore our archives for inspiring conversations with former guests, including all the brilliant voices featured in this festive special.

From all of us at Creative Boom, Merry Christmas! We hope you enjoy a well-deserved rest, and we look forward to seeing you in 2025 for more inspiring conversations.

Jessi shares what it's like to shape and innovate within the established identity of The New York Times. From the annual State of the Times event to internal branding initiatives, she offers a fascinating glimpse into how design supports journalism and fosters community among employees. Her work explores everything from sonic identities and event branding to collaborations on internal communications, all while maintaining the high standards expected at such a prestigious institution.

Beyond her work at the newspaper, Jessi co-runs a design practice called JesseJessi alongside her collaborator Jesse Johanning. Together, they tackle a range of cultural projects, including a stunning monograph for Elizabeth Roberts Architects, which embodies their love for experimental yet thoughtful design. Jessi discusses how her external projects not only bring fresh energy to her work at The New York Times but also exemplify the value of creative exploration.

This episode also considers the softer side of leadership. Jessi reflects on how fostering trust and collaboration within her team has become a priority after learning hard lessons about burnout early in her role. She emphasises the importance of valuing oneself, sharing her journey of learning to charge what her work is worth and encouraging emerging designers to believe in their abilities.

From her experiences working with architects and creating meaningful colour palettes to her thoughts on navigating professional relationships and balancing work-life demands, Jessi offers countless insights for anyone in the creative industry. Wrapping up the conversation, she looks forward to her exciting plans for 2025, including hospitality projects, a restaurant identity, and a book design. For aspiring creatives, her advice is simple but powerful: don't undervalue yourself, take risks, and always be open to learning.

This week, we welcomed Joseph Parsons to the podcast. By day, Joseph is a freelance graphic designer, and by night, he takes to the stage as a stand-up comedian. His dual career path sparked a fascinating discussion about balancing two passions: navigating the challenges of freelancing and the unexpected parallels between pitching design ideas and performing stand-up comedy. This episode is for you if you've ever juggled different roles in your creative journey.

Joseph shared his thoughts on how the industry is changing, including the impact of the Government's IR35 legislation on freelancers and small businesses. We also explored how comedy has evolved, with platforms like social media offering new opportunities for comedians to find success outside traditional routes. Joseph's upcoming tour, Re-Designed, is a brilliant blend of his experiences in comedy and design—be sure to check it out for a good laugh and some relatable industry insights.

This week's creative news takes us on a journey of nostalgia and innovation. In Finland, Aalto University is unveiling Nokia's design archive on 15 January, celebrating the brand that defined the mobile world in the '90s. From the iconic 8110 "banana phone" to the customisable 3210, the archive is a treasure trove of design sketches, marketing materials, and audio recordings, offering a rich blend of inspiration and history. Meanwhile, Cornish landscape artist Dianne Griffiths has won the 2024 People's Choice Award for her atmospheric painting Driving Home. This evocative depiction of a Texaco petrol station under a starry sky captivated voters and has even been purchased by the petrol station itself. In tech news, Apple is rumoured to be working on its thinnest phone yet, the iPhone 17 Air. Combining sleek design with advanced technology, it's shaping up to be a bold step forward in minimalist tech.

Our Spotlight segment this week celebrates the 25 most admired graphic designers of 2024, as voted for by the design community. From bold innovators like Jessica Walsh to typographic legends like Astrid Stavro, these creatives are shaping the future of visual culture and leaving a lasting impact on the industry. The full list is a testament to the diversity and brilliance of today's graphic design scene.

Our Book of the Week is Beyond the Wall: East Germany, 1949–1990 by Katja Hoyer. It offers a fresh look at life behind the Iron Curtain. This detailed history reveals the complexities of the GDR, from its Marxist roots to its collapse, blending personal stories with political insights. A must-read for history buffs!

For our Tip of the Week, we look at networking and why it should be your priority in 2025. Networking is about building real connections. Start small—ask simple questions like, "What brought you here?" Follow up afterwards to keep the relationship alive. Authenticity is key. Networking isn't about selling yourself—it's about making new friends.

On Monday, our guest will be Jessi Brattengeier, creative director at The New York Times. She will share her inspirations, processes, and aspirations and give us a really interesting look behind the scenes at one of the world's most prestigious publications. And then, instead of The Spark on Thursday, we've got a Christmas Special for you, featuring ten former guests of The Creative Boom Podcast, all helping us get into the festive spirit. Until then!

Joseph opens up about how his dual careers have shaped his creative path, shedding light on the challenges of juggling freelance graphic design with the demands of stand-up. They discuss the resilience needed to thrive in live performance, the analytical process behind crafting comedy, and the lessons both fields offer about embracing failure and personal growth.

The discussion also dives deeper into modern dating pressures, the influence of social media on comedy, and how humour can be a surprising ally in tackling serious topics. Joseph shares a glimpse into his upcoming stand-up tour, Redesigned, which combines his experiences in design and comedy into a relatable and hilarious narrative. Along the way, they reflect on themes of identity, family dynamics, and the importance of finding joy in every step of the creative process.

For any discerning creative navigating the highs and lows of a career in design or anyone curious about balancing two professions, this episode is packed with insights, inspiration, and plenty of laughs.

This week on the podcast, we had the absolute pleasure of hosting Christopher Doyle, who brightened up the winter gloom with his Aussie warmth and charm. He opened up about something we don't talk about enough in the creative industry: The Great Unknown.

What is it, exactly? If you haven't tuned in yet, make sure you do. But to give you a taste—it's that constant barrage of brilliant design work online. You're having a great day, feeling good about your work, and then bam, you see something that's so good it stops you in your tracks. Sometimes, it inspires, but other times, it chips away at your confidence. In our chat, Chris offers some great advice to help combat that common feeling.

Now, let's move on to this week's creative news. First up, Oxford University Press has announced its Word of the Year for 2024: brain rot. It captures the collective unease over endless scrolling and its impact on mental well-being. Defined as the decline of intellectual sharpness due to an overconsumption of trivial online content, it struck a chord, particularly with younger generations navigating the highs and lows of digital life.

In tech news, wearable devices like smartwatches and health rings are making waves in personal health tracking, with proposals for integrating them into NHS care. While they've been praised for encouraging healthier habits, doctors caution against overreliance on these gadgets, reminding us that no device can replace professional diagnostics. Still, the shift towards at-home care keeps the debate alive.

Over on LinkedIn, AI-generated writing has quietly become the norm, with more than half of long-form English posts now likely written by AI. While these tools make polished posts a breeze, critics worry about the loss of authenticity. On a platform often dominated by corporate speak, though, it seems the line between human and machine-generated content is getting blurrier—and perhaps, for some, that's okay.

In our Spotlight segment, Creative Boom celebrates the resilience and growth of its community in 2024. Illustrator Marloes Devries shared how saying no to misaligned projects led to her best financial year yet while also helping other artists by passing on opportunities. It's a reminder that success isn't just about output; it's about making thoughtful choices and leaning into the support of your community.

For our Book of the Week, we're recommending How Life Works by Philip Ball. This fascinating read explores the cutting-edge world of modern biology, from reprogramming cells to redesigning living systems in ways evolution never imagined. It's an inspiring look at how these scientific leaps are reshaping what we know about life—and hinting at what might be possible in the future.

Now for our Tip of the Week: as the festive season approaches, managing the end-of-year chaos is key. Ruthless prioritisation is your best friend—focus on what must get done, communicate clear boundaries to clients, and let go of the rest. A little self-care doesn't hurt either. Wrap up strong, and you'll be set to start 2025 on the right foot.

Looking ahead, we've got Joseph Parsons joining us on Monday. By day, he's a graphic designer; by night, he's a stand-up comedian about to go on tour with his new gig, Re-designed. Don't miss it—it's bound to be a riot. After Joe, we'll chat with Jessi Brattengeier from The New York Times, and then we'll round off the season with our festive Christmas Special featuring some familiar faces. Until Monday!

In this episode, Christopher shares his reflections on what he calls "The Great Unknown", an honest exploration of the pressures and challenges facing modern designers today. He speaks openly about the overwhelming nature of constantly being exposed to others' work and the struggle to remain relevant in a fast-paced, youth-driven industry. Christopher sheds light on how social media serves as both a source of inspiration and an anxiety-inducing force, creating a delicate balance between its benefits and drawbacks.

Christopher's approach to design is rooted in honesty and transparency, rejecting performative processes in favor of genuine client relationships and adaptable workflows. He explains why staying lean and agile as a small studio can often be more effective, particularly in today's challenging economic climate. Reflecting on his years of experience, he highlights the importance of embracing nostalgia, finding balance in creative work, and fostering a collaborative, open environment that prioritises authenticity over appearances.

A key theme in this conversation is the personal growth that comes with experience. While Christopher acknowledges that confidence grows with age, insecurities about one's work never fully disappear. Instead, they fuel the pursuit of excellence and help maintain a balance between anxiety and complacency. Christopher also reflects on his superpower—follow-through—a skill that ensures he delivers on his ideas and brings creative visions to life.

Throughout the episode, Christopher shares practical insights, including recent revelations as he approaches his fifth decade. His perspective is an inspiring reminder that honesty and transparency in creativity resonate far more than a polished facade.

This episode offers a refreshing and candid take on navigating the complexities of the creative industry while holding onto passion and purpose. Whether you're a designer, a studio leader, or simply curious about the realities of modern creativity, Christopher Doyle's insights are bound to resonate.

This week, we were joined by Barrington Reeves, founder and creative director at Too Gallus, a Glasgow-based studio shaking up the traditional agency model. We looked into the evolving landscape of creative agencies, highlighting how smaller studios are seizing opportunities thanks to the democratisation of technology and changing client demands.

The conversation touched on how agile, lean teams can achieve brilliant results, making them an increasingly attractive option for clients navigating economic challenges. Barrington shared his insights into the nuances of pitching, the importance of building strong client relationships, and the entrepreneurial drive behind Too Gallus. He also reflected on personal growth, the dynamics of agency expansion, and the role cultural connections play in shaping creative industries. Looking ahead, Barrington envisions creating a vibrant hub that fosters innovation while staying deeply rooted in culture.

In Creative News this week, Apple is set to launch a revamped Siri powered by advanced large language models in spring 2026. Meanwhile, Apple Intelligence will integrate third-party AI tools this December, including OpenAI's ChatGPT, marking a significant step forward in the company's AI strategy.

Elsewhere, Meta is introducing a global "reset" feature for Instagram, allowing users to clear algorithmic recommendations from their feeds. The tool will roll out ahead of the UK's Online Safety Act, ensuring stricter content controls from December. And to celebrate Formula 1's 75th anniversary, Lego is launching a series of F1-themed sets featuring all ten teams. From Duplo to Speed Champions, these models will hit shelves on 1 January 2025.

On The Spotlight, our writer Garrick Webster dives into the world of children's illustrators embracing themes of mystery and mild peril. From Helen Brady's haunting folktale-inspired works to Becky Colvin's eerie train story, The Scream Engine, these artists demonstrate how children's literature can blend spookiness with creativity to engage young readers. Discover more

Our Book of the Week is Read Write Own by Chris Dixon where he explores the transformative potential of blockchain technology, proposing a future where the internet becomes more decentralised and democratic. Dixon maps the internet's evolution through three eras—'read', 'read-write', and 'read-write-own'—and envisions a more equitable digital landscape. A must-read for those curious about the intersection of technology, community, and creativity. Get your copy

For our Tip of the Week, we look at going freelance in 2025. Switching to a freelance career can be both liberating and daunting. Brett Lair advises building an emergency fund to cover six months of expenses, while Jasmine Designs emphasises understanding your worth and avoiding underpricing. For more tips on navigating self-employment, check out our latest article.

On Monday, tune in as Christopher Doyle, founder of Christopher Doyle & Co., joins us to talk about 'The Great Unknown' – the unspeakable truths of the creative industry. From relentless competition to the overwhelming pace of work, this conversation promises to be refreshingly candid. Until next time!

Barrington has carved out a niche by building a lean, culture-driven studio that thrives in an increasingly fast-paced sector. Through our conversation, he shares how Too Gallus has embraced the disruption of traditional agency structures, demonstrating that small, specialised teams can create impactful work that punches well above their weight.

Why is this happening? Barrington believes the democratisation of technology has empowered smaller studios like his, levelling the playing field and giving them access to tools and opportunities once reserved for large agencies. He delves into how smaller, more agile teams are often able to deliver work faster and more collaboratively, adapting to a client's specific needs in ways that big agencies cannot. This shift, he explains, is fuelled by a changing client landscape where businesses are increasingly informed and empowered, enabling them to work directly with leaner teams on projects that demand creativity and precision.

We also explore the balance between staying small and scaling with purpose. Barrington shares his vision for Too Gallus as a creative incubator, fostering a team culture that prioritises connection, ambition, and authenticity. He discusses the importance of being clear on what kind of work his studio wants—and what it doesn't. Instead of chasing massive retainers that would change the essence of the studio, Too Gallus leans into its strengths, focusing on bold, culturally connected projects that excite both the team and the clients they work with.

One of the standout themes of the episode is Barrington's entrepreneurial drive and his commitment to staying true to his roots. He emphasises the value of authenticity, not just in creative work but also in how you present yourself and your business. His approach to self-promotion—loud, proud, and unapologetically confident—offers a refreshing take in an industry where self-doubt and humility can sometimes hold people back. He encourages creatives to champion their own work and embrace their unique voice, even in the face of scepticism.

Barrington's story is one of bold ambition, cultural connection, and purposeful growth, inspiring anyone looking to make their mark in the creative industry. From his insights on pitching and building client relationships to his reflections on the evolving creative landscape, this conversation is packed with valuable lessons and food for thought.

This week, host Katy Cowan sat down with Khyati Trehan, a designer and 3D visual artist currently based at Google Creative Lab in New York. Khyati shared a glimpse into one of the most innovative creative spaces in the world—a rare treat! What stood out most was how she juggles working at the cutting edge of technology, collaborating on personal projects like visual designs for her sister's music, and decompressing with reality TV. She opened up about how she avoids burnout while staying energised and inspired, even in the high-pressure environment of Google.

Khyati also discussed generative AI, emphasising that while it's a tool to enhance creativity, "writing prompts doesn't make you an artist". For her, AI is a collaborator, not a replacement, expanding what's possible without diminishing the joy of creating. If you've ever wondered how someone can stay ahead and balance so many creative pursuits without losing momentum, this episode is for you!

In Creative News this week, Spotify unveiled new features for video podcasting, including ad-free viewing for Premium users and an audience-driven payout model. With over 640 million users, Spotify is rapidly growing its video podcast offerings to rival YouTube. Meanwhile, Bluesky reassured users it won't use content to train generative AI tools, setting it apart from platforms like X. While exploring ways to protect user consent, the platform continues to grow, now hosting 17 million users. And gaming is shifting toward live-service titles, driven by Gen Z's love of social interaction and self-expression. With in-game purchases accounting for 67% of global gaming income in 2023, these games are blurring lines with social media, hosting events like concerts and TV premieres.

In The Spotlight this week, we highlight Creative Boom's feature on how design leaders are preparing for 2025. Despite economic challenges, studios are focusing on purpose-driven work, AI as a creative collaborator, and fostering internal culture. Leaders predict a future of meaningful partnerships and sustainable practices, ensuring creative work aligns with both client and employee expectations.

Our Book of the Week is WipEout Futurism: The Graphic Archives, a deep dive into the iconic video game that revolutionised gaming and graphic design. With rare concept art and interviews, this book celebrates the groundbreaking work of The Designers Republic and the game's sci-fi-inspired branding.

This week's Tip focuses on finding happiness in creative work. Strategies include balancing work with personal life, embracing self-expression, and practising mindfulness. Remember, happiness is a work in progress, built through small, meaningful steps.

In our Letters to the Editor, listener Sarah Turner wrote in about this week's guest, Khyati Trehan: "I loved how she described AI as a collaborator. Her perspective reminded me that these tools can enhance creativity rather than diminish it." While Ben Mottershead shared his reflections on last week's chat with Dave Sedgwick: "I resonated deeply with the discussion on rethinking goals. Starting my own agency was a dream, but I realised it's not all it's cracked up to be. I'm now focusing on what truly matters."

Don't miss next Monday's episode, where Katy chats with Barrington Reeves, creative director and founder of Too Gallus in Glasgow. They'll explore the shift from traditional agencies to smaller, agile studios and the economic challenges but great opportunities facing the industry. See you then!

Known for her unique balance of intense creative work and personal projects, Khyati shares the intricacies of her role at Google, a place synonymous with cutting-edge technology and endless experimentation. While she can't disclose everything, Khyati's stories provide an inspiring look at what it's like to be part of a team where creativity knows no bounds.

Khyati is constantly creating, whether through her illustration work, collaborations with her sister—who's a musician—or brainstorming sessions in the kitchen with her partner, who also works at Google. She finds a source of energy in her craft that keeps her invigorated rather than drained, turning what could feel like intense pressure into a motivating force. Her ability to stay inspired and eager to learn is a powerful takeaway for anyone navigating the demands of a creative career.

During the conversation, Khyati opens up about how she keeps her creativity flowing without falling into burnout, the role of cultural influences in her design work, and the importance of relationships in both her personal and professional life. As someone deeply attuned to the mental and emotional aspects of creative work, she discusses how she uses personal connections and a strong network to sustain her passion. From her reflections on reality TV as a mental escape to her insights on the future of generative AI, Khyati's perspective reveals the many layers of a dynamic and fulfilling creative life.

You will gain valuable insights on balancing work and side projects, maintaining a sense of purpose, and finding inspiration in unexpected places. Whether embracing the complexities of relationships, exploring the limitless possibilities of generative AI, or simply learning to find joy in the process, Khyati offers a refreshing reminder of why creativity is such a rewarding journey. It's a must-listen for anyone looking to find harmony in their own creative path while making space for continual growth and innovation.

In this episode, host Katy Cowan reflects on her recent visit to Manchester and a heartfelt conversation with David Sedgwick, founder of Studio DBD. After nearly a year away from the city and a challenging year recovering from a back injury, Katy reconnects with both Manchester and a new friend in Dave. The two discuss the importance of resilience, kindness, and what truly defines success in the creative industry. Dave's insights remind us that success isn't about size or money but feeling proud of what you've built, and he reflects on the value of authentic relationships and collaboration.

In Creative News this week, we talked about Gabriel Kay, a young designer from De Montfort University, who has reimagined the kettle with Osiris, a fully repairable design aimed at reducing e-waste. Named after the Egyptian god of rebirth, this kettle symbolises sustainability and the future of repair-friendly design. Cornish artist Judy Joel's charming illustrations will be featured on Royal Mail's 2024 Christmas stamps, capturing iconic cathedrals across the UK in her unique, naive style. And the Glasgow School of Art has won the Ladislav Sutnar Prize, acknowledging its global impact on art and design education.

The Spotlight shines on James Hughes from Folio Art, who shares insights on the future of illustration in a world of AI. While AI images are on the rise, James reassures illustrators that there's still demand for the warmth and nuance only human creativity can provide. He encourages illustrators to keep honing their skills to stand out in an evolving industry.

Our Book of the Week takes us back to a classic: Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig. Celebrating its 50th anniversary, this philosophical memoir prompts readers to reflect on the essence of "Quality" and the search for meaning, blending personal journey with profound insights—a must-read for anyone seeking deeper understanding.

Our Tip of the Week offers advice for creative freelancers and studios: focus on building a strong reputation, emphasising unique strengths, and growing from within. Success comes from consistency, high standards, and a positive, professional presence.

And finally, in our Letters to the Editor, there's a touching message from listener Nicky, who found comfort in Katy and Dave's reflections on resilience and life's silver linings.

Don't miss next Monday's episode, in which Katy chats with Khyati Trehan, a talented graphic designer and 3D visual artist from New Delhi currently working at Google Creative Lab. They discuss balancing side projects, preventing burnout, and staying healthy while pursuing creative passions.

With over 20 years in the design industry, Dave has carved out a distinctive path, staying true to his ethos of prioritising meaningful work over rapid growth. Our conversation explores the philosophy behind Studio DBD, from keeping the team intentionally small to working across sectors like arts, culture, and nonprofits. We discuss why, for Dave, success isn't about flashy marketing or expansion but about the joy of creating impactful, honest work with people he admires and respects.

Recently, Dave experienced a personal loss that profoundly shaped his outlook. We reflect on how these challenges have reinforced the importance of balance, resilience, and focusing on what truly matters. In a world that often prioritises the next big thing, Dave's perspective on slowing down, building genuine connections, and staying grounded in one's values is both refreshing and inspiring.

In this episode, Dave also opens up about the evolving creative industry, sharing his thoughts on everything from the pressures of social media to the enduring value of face-to-face collaboration. It's a candid and heartfelt conversation that offers a unique glimpse into the life of a creative who's not just surviving but thriving by his own rules.

Ultimately, this episode is a reminder of why staying authentic and focused on quality can be a powerful approach in both work and life.

In this episode, host Katy Cowan reflects on her thought-provoking conversation with Holly Howard, who explores alternative ways for creatives to market themselves outside of social media. Holly's advice challenges us to focus on meaningful connections and slow-building relationships in a world where everyone seems to demand instant results. If you're feeling overwhelmed by social media, this is one conversation you don't want to miss.

In Creative News, we look at the UK's recent Budget and whether it has any impact on the creative sector, York's celebration as a UNESCO City of Media Arts, and the return of Wallace and Gromit in Vengeance Most Fowl.

TSpotlight features predictions from industry leaders on design trends for 2025—a year that's shaping up to be pivotal as we balance tech and humanity in design.

For our Book of the Week, we highlight Expressive Type Today by Counter-Print, a beautifully curated collection that showcases typography as more than just text—it's an expressive art form.

And in our Tip of the Week, we're celebrating the upcoming World Kindness Day with a reminder of how small acts of kindness can uplift the entire creative community.

Next Monday, Katy sits down with David Sedgwick of Studio DBD in Manchester for a heartwarming chat about creativity, resilience, and everything in between.

But here's the thing: Holly emphasises the importance of understanding the fundamentals of marketing and sales, not just relying on social media algorithms. She explains how, over time, social media has shifted from community-based engagement to algorithm-driven content, and many creatives have lost sight of their original goals.

Holly's approach is designed to help creatives refocus on sustainable business practices, encouraging them to build meaningful, long-term relationships with their audience and clients. She believes we can still thrive without being tethered to social platforms, highlighting how crucial it is to nurture real connections, understand audience needs, and develop strong communication skills.

Throughout our chat, she really hits home the power of personal branding and positioning oneself as a guide rather than a hero, especially when approaching potential clients. She also touches on the role AI can play in supporting creative businesses, helping them streamline tasks like project management, client communications, and marketing strategies.

For designers and illustrators feeling overwhelmed by social media fatigue – and hey, you're not alone – Holly offers insights on how to embrace alternative marketing methods and stay relevant in a world that seems to demand constant attention. Her practical advice encourages us to focus on what truly matters for our careers: strong relationships, a clear vision, and authentic, enthusiastic engagement with our work.

Holly also shares her thoughts on 'visioning' as a tool for success and how it helps us creatives clarify our goals, both professionally and personally. This episode is packed with actionable tips for freelancers and entrepreneurs alike, especially those looking to step away from the pressures of social media and the increasing "sea of sameness" to build a sustainable, fulfilling creative practice.

In this episode, Katy reflects on her inspiring conversation with Kwame Taylor-Hayford, the new D&AD president and co-founder of Kin. Together, they explore the impact of empathy, connection, and curiosity in creative careers and discuss D&AD's mission to support both emerging and mid-career creatives. Kwame also shares his insights on the shifting power dynamics in the industry, the role of AI, and the future of creativity. His thoughtful perspective left Katy inspired and motivated, sparking her own reflections on personal growth and career planning.

In the Creative News segment, we share the record-breaking Tim Burton exhibition at the Design Museum, a £1.7 billion investment roadmap for the Thames Estuary, and the return of Maurizio Cattelan's infamous banana art at auction.

Then, in The Spotlight, we celebrate Raw Materials' unique approach to design that led them to win D&AD's Studio of the Year. Plus, our Book of the Week showcases 1,000 Marks by Pentagram, and the Tip of the Week highlights the value of quiet confidence for creatives. Finally, in Letters to the Editor, listeners share reactions to the episode and industry insights.

Tune in next week for an inspiring chat with Holly Howard on rethinking marketing for creatives. It will be packed with actionable tips for freelancers and entrepreneurs alike, especially those looking to step away from the pressures of social media and the increasing "sea of sameness" to build a sustainable, fulfilling creative practice.

Kwame brings his extensive experience from both the agency and brand sides, having worked with industry heavyweights like Sid Lee, Saatchi & Saatchi, Anomaly, and Chobani. Our conversation delves into the challenges underrepresented groups face in the industry, the need to uplift mid-career professionals, and the power of creativity in driving meaningful change.

Kwame shares insights from his own journey, reflecting on an upbringing that spanned Ghana, Egypt, South Africa, the UK, and New York, which instilled in him a deep sense of empathy and a considered approach to leadership. We discuss the importance of creating work cultures that prioritise people's well-being, embracing diversity, and the role of travel in broadening perspectives.

In our chat, we touch on the shifting dynamics of the creative industry, where employee power is on the rise, and examine the implications of AI on creativity. Despite the increasing digitalisation of our world, Kwame emphasises why human connection remains essential. He also opens up about his journey, revealing thoughts on life balance, career aspirations, and his 20-year vision for the future.

Ultimately, this episode offers a glimpse into the mind of a creative leader who is shaping the future of D&AD and striving to make the industry more inclusive, resilient, and purpose-driven. After this fascinating conversation, it feels like a much brighter future is on the horizon.

This week, we reflect on our conversation with Lisa Smith, global executive creative director at JKR in New York. Lisa was open and honest, sharing her experiences in the creative industry, the challenges faced by women, and the value of hard work. We discussed the importance of community, cultural differences in design, and what it takes to reach the top. If you haven't listened yet, download the episode—it's a brutally honest chat with which many of you will resonate.

For this week's creative news highlights, marketing budgets are on hold. The latest IPA Bellwether Report reveals a pause in UK marketing budget growth due to uncertainty surrounding the upcoming Budget, marking the first stall in 14 quarters.

We also shared cosy games for mental health. Games like Animal Crossing and Pokémon are helping players cope with anxiety and depression, offering a soothing escape and a sense of community.

And Bluesky surges in popularity. Jack Dorsey's decentralised social network, Bluesky, is now a top-five social app following changes at X (formerly Twitter), driving users to seek alternatives.

This week's Spotlight article on Creative Boom tackles a question that many creatives face: where's the best place to work as a creative—agency, in-house, or freelance? It explores the pros and cons of working in these different scenarios. It's a must-read for anyone considering a change or starting out in the industry.

Our Book of the Week is Legal Roadmap for your Creative Business by Kiffanie Stahle. This guide simplifies the legal side of running a creative business, offering clear steps to protect your assets without getting lost in jargon.

Choosing the right fonts can make or break a design. Here's a quick rundown: match the font to the brand's personality, prioritise readability, consider technical aspects, and always test across different media. For more tips, check out the full article on Creative Boom.

On Monday, Kwame Taylor-Hayford, the new D&AD president and co-founder of Kin, will join us. We'll discuss his mission to empower the next generation of creatives, his global upbringing, and the evolving role of creativity in an AI-driven world. We even catch him in a reflective mood and discover some of the things on his mind lately. Don't miss this inspiring conversation.

In this candid conversation, Lisa shares her journey through the creative industry, discussing her experience leading major rebranding efforts for global giants like Burger King, Mozilla and Chobani. She also delves into the complexities of navigating cultural differences in design across the Atlantic. Lisa opens up about the challenges women face in leadership, emphasising the crucial role of building a supportive community in a competitive industry, and how authenticity and hard work have fuelled her success.

We explore the significance of brand ideas as the core driver for business growth, the cultural nuances that shape how design is perceived, and the ongoing challenge of balancing personal identity with professional demands.

Lisa shares some hard truths about whether we can truly "have it all" and what it takes to build a successful career — the late nights, sacrifices, and barriers that still need breaking.

If you're a creative professional looking for insights into leadership and community or simply want a behind-the-scenes look at someone at the forefront of design, this episode is packed with wisdom, humour, and powerful takeaways.

We reflected on this week's interview with Luigi Carnovale, in which we focused on the art of reinvention. Luigi shared his insights on navigating new tech, client demands, and personal evolution as a creative. His message? Business is about people, and we are in control of our own paths. If you've been feeling stuck, his words will inspire you to embrace change, just as he has.

In this week's Creative News roundup, D&AD's 2024 Annual Showcase highlights the best creative campaigns and trends, such as fandoms and textural evolution, to inspire the next generation. Headspace introduced Ebb, a generative AI chatbot to support mental health with personalised real-time conversations. Finally, teenage gamer Michael Artiaga made history by resetting Tetris after reaching the highest level. Gosh, it's an amazing feat. I can hear the music in my head now. How it didn't drive him mad, I'll never know. But, understandably, he confessed he'll never play it again.

For The Spotlight, we looked at the independent type foundries set to shine in 2025. From Jessica Walsh's emotionally driven Type of Feeling to Grilli Type's standout creations, these foundries offer fresh, experimental fonts that push boundaries. And the best part? We had nothing to do with the final cut; it was all down to you, the creative community, as you shared your favourites.

Our Book of the Week is Never Play It Safe by Chase Jarvis, a manifesto for creatives looking to embrace intuition and risk-taking. Drawing from his experiences as an award-winning photographer and entrepreneur, Jarvis offers practical strategies for breaking out of our comfort zone, pursuing bold ideas, and building a fulfilling life rooted in personal passion. Doesn't it feel appropriate, given this week's conversation with Luigi? We thought so.

In our Tip of the Week, we look at how to differentiate yourself. And one way to stand out in a crowded creative industry is by embracing vulnerability. Share your authentic experiences—audiences connect more deeply with honesty than perfection. There's lots more advice on this theme in the article on Creative Boom, so be sure to check it out.

We received different responses from listeners about recent podcast episodes for our Letters to the Editor this week. Mike, an illustrator from Leeds, shared how Seema Sharma's discussion on AI completely changed his perspective, leaving him more optimistic while affirming that the human touch remains irreplaceable. On the other hand, Amara, a creative director from London, expressed concern about AI, cautioning against over-reliance on machines at the risk of losing the originality that defines creativity. Another letter from James, based in Devon, reflected on Luigi's experiences in the design industry. James related to Luigi's decision to leave the city, sharing how his move from London to his hometown led to unexpected creative opportunities while maintaining connections in the capital.

What about you? What do you think? We'd love to hear from you! If you have any thoughts on this episode or anything else from the show, drop us a line at letters@creativeboom.com, and we might feature your email in next week's episode of The Spark.

On Monday, Lisa Smith, global executive creative director at JKR, will join us. She will share hard-hitting insights on leadership, creativity, and building a career at the top. Don't miss it!

Luigi and Katy explore how he has remained connected to the industry while working closely with younger designers, emphasising the importance of giving back and mentoring the next generation of creatives. Luigi reflects on how engaging with fresh talent has helped him stay grounded and energised, even as the industry and tools around him have shifted. He highlights the balance between staying true to your core passions and embracing new technologies like video and social media platforms, which have become essential in today's creative landscape.

As a creative leader, Luigi also discusses the value of maintaining strong personal connections. For him, people are at the heart of design and business longevity. He offers thoughtful insights on the importance of building authentic relationships within the industry and why this, more than any trendy tool or technique, remains the key to sustained success.

The conversation takes a reflective turn when Katy and Luigi discuss the challenges of reinventing oneself later in a career. Luigi opens up about the significance of stepping back from the fast-paced city life and finding peace in a more grounded, focused approach to work, ultimately leading him to rediscover the joy in crafting thoughtful, print-based design solutions.

Luigi's reflections on adapting while staying true to one's creative roots offer a relatable, inspiring message to all listeners. He encourages creatives of any age to keep testing themselves and embrace both change and the wisdom gained over time.

Tune in for a heartfelt conversation that touches on everything from mentorship and personal reinvention to the enduring value of connection in the creative world.

In this episode, we looked back at Monday’s insightful interview with Seema Sharma, a creative director from the Netherlands and co-author of The New Creatives. Seema’s unique collaboration with AI sparked a fascinating conversation about how technology is changing the future of creativity. One key takeaway? As AI grows more prevalent, the need for human connection and authenticity in design has never been stronger.

In Creative News, we covered the big headlines, starting with the news that Rankin's agency The Full Service has filed for bankruptcy. Rankin pointed to the challenges of reduced budgets and the rise of AI, which are changing the traditional advertising landscape. In gaming, 343 Industries has officially rebranded as Halo Studios, signalling new projects ahead, all developed with Unreal Engine 5. Meanwhile, Epic Games has announced Unreal Engine 6 to power the next wave of metaverse experiences. Finally, Google has launched a new feature that lets users search the internet by simply recording a video—AI is certainly transforming how we search online.

For The Spotlight, we explored the future of audio-visual design in our feature article Key Trends in Audio-Visual Design: What’s Next for 2025. We dive into immersive AR and VR experiences, AI-generated visuals, and the growing emphasis on emotional intelligence in audio design. Brands are getting smarter at using sound to connect with audiences on a deeper level, and we’re excited to see where this trend takes us.

Our Book of the Week is a biography of the iconic Lee Miller, a trailblazing photographer and inspiration behind the upcoming film Lee, starring Kate Winslet. Written by her son Antony Penrose, The Lives of Lee Miller gives an intimate look at her many lives—from Vogue cover girl to war correspondent—and features some of her finest work. A must-read for anyone passionate about creativity and history.

In honour of National Work-Life Week, our Tip of the Week is all about balancing your career and creativity. From setting clear boundaries to making time for personal projects, we shared practical strategies for avoiding burnout. One great tip? Use "calendar blocking" to allocate time for work, creative pursuits, and relaxation to keep your life in balance.

For our Letters to the Editor this week, we heard from Christine Smith of Warfield Smith Design, who shared her thoughts on Tom Cunningham’s article about "blue collar designers." Christine reflected on her own journey from big NYC and LA agencies to working directly with decision-makers in upstate New York—a path that, she says, has been refreshing and rewarding.

What about you? What do you think? We’d love to hear from you! If you have any thoughts on this episode or anything else from the show, drop us a line at letters@creativeboom.com, and we might feature your email in next week’s episode of The Spark.

A creative director and author of The New Creatives, Seema reflects on the critical balance between efficiency and authenticity in an era when algorithms are increasingly driving creativity. She emphasises the importance of emotional intelligence—an irreplaceable human trait—as technology takes on more of the tasks that were once the domain of creatives. Together, we explore how AI can enhance creativity without replacing the soul and originality behind the work.

The discussion also dives into the ethical concerns with AI, particularly around intellectual property and the potential risks of over-automation. As companies rely more on technology to meet demands, the traditional agency model is being redefined. Seema shares her thoughts on how small studios and freelancers might benefit from this shift, allowing them to take on larger projects without needing massive teams. Yet, she also emphasises the importance of maintaining creative integrity in a time when so much can be automated, reassuring us about the future of our work.

Seema's insights on the future of creative roles offer hope and practical advice for anyone feeling uneasy about the changes brought on by AI. She encourages creatives to embrace these tools while staying true to what makes their work meaningful and impactful. The conversation also explores how the creative industry must adapt to remain relevant and why authenticity will always be at the core of great creative work, regardless of the tools we use.

This episode offers a deep, candid conversation about the future of creativity, touching on everything from the rise of AI to the enduring importance of human connection in an ever-changing landscape.

In this episode, we looked back on Monday’s interview with Brian Cannon and the incredible listener feedback we received about the golden days of designing for Oasis in the '90s. Plus, we teased our next guest, Seema Sharma, and the fascinating conversation we’ll have about creativity and AI—exploring what it means for the industry, and whether AI is a friend or foe.

In Creative News, we discussed Mozilla's new retro-inspired brand identity designed by JKR, and Meta's latest AI innovations, including celebrity-voiced chatbots and AR glasses. Closer to home, Factory International's creative skills training in Manchester is making waves in local venues. And we revealed the UK creative industries' impressive £124.6 billion contribution to the economy.

In The Spotlight, we shone on Shaping Tomorrow, a groundbreaking new podcast series produced by Hear Art that amplifies the voices of deaf creatives in the industry.

Our Book of the Week, The Third Gilmore Girl by Kelly Bishop, is a memoir that goes beyond acting to explore resilience, women's rights, and personal triumphs.

For Tip of the Week, we had a mental health reminder from Liam Hopkins of Lazerian Studio on nurturing your mind and embracing rest as a creative tool.

Finally, in Letters to the Editor, we shared thoughtful listener emails about balancing work, managing perfectionism, and why it’s refreshing to have platforms that don’t always focus on the bigger industry names.

If you'd like to share your thoughts on this episode, or any from our show, send your thoughts to letters@creativeboom.com, and we'll do our best to read them out during next week's The Spark.

We had the absolute pleasure of sitting down with Brian Cannon of Microdot fame, the legendary graphic designer behind some of the most iconic album covers of the '90s, including Oasis' unforgettable artwork for classics like Definitely Maybe and (What's the Story) Morning Glory?. With Oasis recently announcing their highly anticipated reunion tour, Brian takes us on a nostalgic journey through his incredible career, sharing untold stories from the heart of Britpop.

We delve into the creative magic that sparked his long-standing collaboration with the Gallagher brothers, the rebellious punk-rock spirit that inspired his early work, and the defining moments that cemented his legacy in music history. From designing album sleeves in his bedroom to working on re-releases for Oasis today, Brian offers a behind-the-scenes glimpse into the art, the pressure, and the sheer joy of crafting visuals for one of the world's most beloved bands.

Whether you're a fan of Oasis, fascinated by graphic design, or love a good creative story, this episode is packed with insight, humour, and nostalgia. So grab a brew and get ready as we bring you the art, the legacy, and the stories behind the scenes with Brian Cannon.

American actor, director, and musician Richard Speight, Jr. joins us today. Born in Nashville, Tennessee, and now living in LA, Richard's infectious charm and genuine curiosity have endeared him to fans and colleagues alike. From his roles in Supernatural and Band of Brothers to his work behind the camera and on stage with his band Dick Jr. & The Volunteers, Richard's warmth and wit shine through in everything he does. But it's not just about the roles he plays or the music he makes – it's about the connections he fosters and the joy he brings to every interaction.

We chat more about the importance of building relationships and connecting with people in the creative industry. We'll explore the value of embracing flaws and imperfections in storytelling and art, as well as the impact of social media on self-esteem and the need for authenticity. We'll reflect on how far we've come since the 1970s, the lessons we can learn from past mistakes, and the loss of boredom and its impact on creativity and personal growth. 

We'll also explore the depth of connection and understanding that in-person interactions provide, in contrast to the limitations of being online. And throughout it all, we'll discuss why it’s so important to have a sense of fun and perspective when being creative.

Kelly is not only an acclaimed artist and the visionary behind METAL & DVST, a vibrant art space that champions the voices of artists worldwide; she's also deeply invested in the nonprofit sector and passionate about education. Her journey through the realms of creativity and her advocacy for the arts as transformative tools are nothing short of inspiring.

Today, we'll take a closer look at a poignant chapter in Kelly's life where art transcended passion and became her lifeline during a critical moment in her youth. Our conversation will highlight the resilience of the human spirit and underscore the powerful role of art in healing and personal growth.

We'll also explore the significance of giving back to the creative community, a mission close to my heart through nearly 15 years at the helm of Creative Boom. Join us as we uncover the profound impact of creativity on our lives and the world around us.

That's what we're here to find out. This week's guest is the incredibly talented illustrator and visual storyteller Christoph Niemann.

Christoph's work has graced the covers of The New Yorker, National Geographic, and The New York Times Magazine and captured the hearts of art lovers around the world. His unique ability to blend humour with poignancy and simplicity with depth makes his illustrations instantly recognisable.

In this episode, we'll explore the essential elements of Christoph's creative process. For many of you, his approach will resonate deeply as it mirrors the universal challenges and joys of creative work. Christoph believes that the process itself is an integral part of the final artwork, emphasising that the journey is just as important as the destination.

We'll also delve into what it takes to be a successful illustrator in today's competitive environment. Christoph will share his insights on how the industry has evolved over the past two decades, discussing the significant changes in publishing that have led to fewer traditional opportunities and how the demands from brands have shifted, influencing the kind of work produced.

Moreover, we'll discuss the role of AI in art and illustration. As technology continues to advance, Christoph will offer his perspective on how this impacts the field and where it might lead us. We'll consider the importance of human authenticity and how it could be the key to thriving in a world where digital and artificial creations are becoming ever more prevalent.

But while talent can spark an artist's journey, it's relentless hard work and dedication that carve out a successful career. Christoph is here to remind us that no matter the changes and challenges, continuing to push through is what makes the difference.

This season is sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.

This week, we are talking about brand strategy with G Torto, senior director at Koto in Sydney, Australia. G, originally from London and now a key player in the Asia-Pacific region, helps ambitious companies stand up, stand out, and scale smartly. He's a founding member of Koto's fifth studio, bringing a wealth of experience in branding for tech and Software as a Service businesses.

In this episode, we explore how strategic thinking and creative innovation blend to create some of the most iconic brands today. From the difficulty of maintaining originality in a saturated market to integrating new technologies like AI in work processes, G gives us a Koto insider's view on what it takes to create lasting value in the fast-paced world of brand strategy these days.

This season is sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.

Clara's expertise has guided Special Projects in partnerships with some of the biggest names in tech and research, like Samsung, Google, and King's College London, turning complex tech challenges into accessible solutions. From digital therapy tools for individuals with psychosis and enhancing smartphone usability for older people to helping us step away from our smartphones a little, her work exemplifies the power of empathetic design.

But what does it all mean? We ask Clara about the intricacies of creating technology that's helpful and not intrusive, the challenges and surprises of designing for a global audience, and the future trends she sees shaping the industry. We'll also take a closer look at her creative process, how her educational roles influence her professional practice, and how she and her team tackle the ethics of technology and design.

In this episode, Clara also shares how she sees everyday frustrations as opportunities and how drawing on them can create those "warm, fuzzy feelings" she loves so much. This conversation lies at the fascinating intersection of creativity, technology, and human-centric design with one of the industry's leading voices.

This season is sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.

And what about turning 50? For our next guest, it proved to be quite an earth-shattering event. Aaron Draplin is a legendary graphic designer who began his career in the snowboarding world before he went solo and worked for clients as big as Nike, Burton, Esquire, Ford Motor Company, and even the Obama Administration.

Any creative will know that Draplin is a huge name in the industry and is always around on the festival circuit. He’s also been featured on TED Talks and talks at Google. In 2019, he designed the Star Ribbon, a US postal stamp. He is the co-founder and designer for the Field Notes brand.

With so much success, you’d think he was happy to continue this momentum. But turning 50 last year changed everything. Draplin wants to slow down. Perhaps embrace minimalism. Figure out how to do less. And focus on more of the stuff that matters.

But is it easy for someone who’s never been shy of hard work to slacken the pace? Can Draplin find a way to stop running when he’s still got a decent amount of time left to design – if that’s what he wants to do? Or is graphic design becoming less of a priority? We sat down with Draplin to see where his head is at in 2024.

This season is sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.

Have you never heard of it? As a kid, we'd tell people we were from Manchester because everyone knows Manchester, and it's cool. But Stoke? Pah. We're ashamed to say we never sang its praises. But what did we know? We left Stoke for Manchester, seeking our fortune. But that was many years ago. And we've recently returned to the area. We see Stoke with fresh eyes now and proudly tell people that's where we're from.

Funny enough, we weren't the only ones with this attitude. Stoke has an unfair reputation, which is absurd given its affectionately known as The Potteries – a creative city that creates art from dirt and is now named the World Capital of Ceramics. But despite its incredible industrial heritage, the local and national news just seems to spout negative stories, and everyone talks about its decline.

But one person is hoping to change all that. Simon Davies is an industrial and product designer and co-founder of Protect-a-Pet, a company that sells his inventions worldwide, which help protect cats from the risk of free roaming. Si has big ambitions for the city. He is hugely passionate about the region and believes it's on the brink of a resurgence. A rebirth.

Fed up with seeing a place in post-industrial decline and driving past derelict buildings each day on his way to work, he and some others have set up a Community Interest Company called The Teapot Factory to bring people together and drive change. He's also behind a 'netwalking' event called the Teapot Tours, the first of which was attended by a few Chamber of Commerce members and some local artists. The idea was to bring together creatives and business people, something Stoke is famous for. The walks are guided by a local history expert and end at a venue with an interesting speaker or poet.

We wanted to find out more about a city with so much potential, a proud history, a talented workforce and a network of local creatives determined to make the Potteries legendary once more.

This season is proudly sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.

Of course, no one is perfect, but it's great that so many companies are taking strides towards becoming more sustainable and doing some good in the world. This week's guest is a brand consultant and creative director who hopes more will catch on. Teresa Ferreira launched her own design studio in 2023 after working as head of design at the Financial Times for nearly seven years. She enjoyed her time there and gained a holistic method of branding, which she applied to all her projects, but she was ready for change.

Passionate about the environment and hoping to make a difference, she's based her new venture on elevating brands in the sustainability and positive impact space. She has 15 years of experience and has worked across various industries, including media, health, travel, and luxury, and she's now supporting purpose-led businesses that are doing great things. She believes there is so much more she can do. As she puts it, we face many environmental and social challenges, and being a creative, I understand my power to influence businesses in the most conscious practices.

We wanted to get into that and much more, and we were curious to discover if establishing her own studio had met her expectations after almost 12 months of going solo.

This season is sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.

But all good things must come to an end. Profits and shareholders inevitably entered the fray, twisting algorithms and features upside down. We've spent much time and effort chasing likes and clicks until we became exhausted, disengaged, and ready to try anything to market ourselves other than fire out another update.

Perhaps we're going through a shift again, as this week's guest might allude. Julian Glander is a Pittsburgh-based multidisciplinary artist who grew his reputation and business online but is now redefining his relationship with social networks. As a self-described "Internet artist", he admits he's trying to break or retrain his social media habits and find ways to use his time online more productively and intentionally.

This new approach played a big part in developing his new film, Boys Go to Jupiter – a fantastical coming-of-age story that he has self-financed and put together with a small team over the last few years. The movie tells the story of a teenage delivery driver in suburban Florida whose life is turned topsy-turvy by the arrival of a mysterious and adorable creature from another world.

It's been a real labour of love and, by far, the most ambitious and demanding thing he's ever worked on. To get it done, though, he had to pull lessons from his experiences in many different fields: illustration, video games, music, and animation. But he also made the best use of the web, calling upon his social networks to cast and recruit almost every voice actor in this film, including Joe Pera, Sarah Sherman and Elsie Fisher. He's even embraced TikTok and found success there, making new contacts and finding fresh inspiration.

As our online habits continue to change, we wanted to find out how one successful artist is adapting and embracing what seems to be a new era of social media and how we might follow suit.

This season is sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.

Joanna Henly is no stranger to change. She spent her childhood moving around, as her parents' careers dictated. On making new friends at different schools and getting used to new roots, she naturally built resilience and, as a result, didn't shy away from her fears.

That's not always been the case. Just like any of us, Joanna has her ups and downs. But in 2019, she suddenly decided to leave London for Lisbon, completely changing her entire lifestyle and career. And when the global pandemic happened, that only encouraged her to pursue her dreams even more.

She became a creative mentor and now works with aspiring, emerging and mid-term career artists to propel their creativity and careers forward. She's taken everything she's experienced from her own journey of being an illustrator, muralist, fine artist, and digital and VR painter to help others. Joanna has worked with Reebok, Google, Vivienne Westwood, and Wacom. She's presented her work and ideas as inspiration sessions for Apple and sold out workshops and masterclasses at venues including The V&A, The Saatchi and National Portrait Galleries.

Her artworks have even hung in the Saatchi Gallery and Somerset House, while her books are stocked at the Tate and National galleries. She's curated and exhibited solo shows in London and Hong Kong. More recently, she's presented ideas and interactive art with everyone from Google to fashion giants Galliano, painted in VR for the Land Rover Evoque world premiere, and so much more.

So, how on earth do the rest of us face and overcome fear? How do we move forward as creatives and discover new ways of working and living? Essentially, how do we become unstuck and move forward? Joanna gives some excellent advice for anyone itching to make a significant change this year.

This season is sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.

This week, we explore these important questions with Sean J. Cuttino, an influential figure in animation, illustration, and storytelling. His journey shines a light on what it really takes to stay ahead in a world where the creative landscape and technology never stand still.

The creative force behind J. Cutt Productions, Sean is known for his engaging YouTube content and impressive collaborations with big names like Google, the NFL, Slick Rick and Missy Elliott, showing us how creativity can really make an impact. But he's not just about making waves; he's helping shape how we experience art and design.

In our conversation, we learn how he keeps up with the fast-paced world of animation and design and about his latest passion project, The Storybook Traveling Adventures of Little J. and the Wonder Key. This talk isn't just about his career highs but also about the power of storytelling and how it draws us in.

Sean opens up about the rollercoaster of building a creative career, filled with ups and downs and the learning curve that keeps his work exciting and relevant. From viral animations to the enchanting world of Little J, his story is all about resilience, joy, and the love of creating.

For anyone who's got a thing for design, loves a good story, or is just curious about creative careers, this episode with Sean J. Cuttino is a treasure trove of insights and inspiration. It's all about finding your passion, embracing the inevitable challenges, and making those imaginative ideas a reality in a constantly evolving industry.

This season is sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.

To talk us through this big topic, our guest this week is Eleanor Burt, otherwise known as Posture Ellie. Based in the beautiful Peak District in England, she's a posture coach who runs her own programmes, hosts in-person events such as special retreats and even shares a load of free stuff on YouTube to help a lot of people become more in tune with their bodies.

She doesn't claim to be an expert. And she certainly doesn't promise to "fix" anyone. But she's absolutely found her calling and is helping many people to empower themselves to move and feel better. Is your neck or back giving you grief? Are you suffering from sciatica, bulging discs in your spine, or do you just feel out of alignment? Then, this episode will introduce you to a new approach – one that doesn't rely on popping pills forever and might even get rid of your pain.

This season is sponsored by MPB, the largest global platform for buying, selling, and trading used photo and video equipment. Visit MPB.com to find out more.

To guide us through this maze, we're joined by Lee Rolston, chief growth officer at Jones Knowles Ritchie. Lee is a maestro in brand building, having steered JKR to craft iconic revamps for Burger King, Dunkin', and Budweiser. His agency's work doesn't just catch the eye; it wins hearts and awards.

But what makes a brand tick? Beyond public opinion, how do you measure true success? In a world brimming with ideas, can originality still make a mark? And how do you honour a brand's heritage while keeping it fresh and relevant?

Lee is here not just to answer these burning questions but also to share his vision for the future of design. Whether you're a seasoned designer, a brand enthusiast, or just curious, this episode offers a unique glimpse into the evolving world of branding today.

The entire sector continues to adapt as the way we consume movies seems to change yearly, if not weekly – not to mention the recent Hollywood strikes that, although deemed necessary, certainly didn’t make life easier for those independents fighting for recognition and income.

This week’s guest is no stranger to these things. Miles Watts is a British independent director and screenwriter for Hollywood, as well as a producer. He’s made four of his own movies so far and is a co-host on a Hammer horror podcast called Hammer Heads. And whenever he can, he tours the UK to teach screenwriting and film production at schools and universities.

Miles says that he’s been making movies since he was a kid, so with everything that’s changed since the late 1970s in the film industry, we wanted to know what it takes to survive this often-brutal sector. Miles gives us a fascinating insight into his world, from the glory days of 1980s cinema to some of the best films and TV shows today.

He shares how you must overcome rejection many times over, why you must stop focusing so much on that ultimate goal, perhaps holding that Oscar, thanking all you love and work with, and instead finding joy in the struggle. I guess that’s something we can all relate to.

We're talking motion designer Dan Silverstone, illustrative designer Lisa Maltby, cultural champion Boma Krijsman, graphic designer Kieron Lewis, illustrator Katie Chappell, design director and podcaster Harrison Wheeler, and artist and illustrator Barney Ibbotson. We even say hello to our old Creative Boom friend and our resident designer, Andy Mallalieu, of Nine Sixty.

Of course, Christmas means different things to different people. For those who aren't religious or don't formally mark the occasion, it's still a special time of year with family and friends, where we might be a little kinder to one another and find a moment to take stock. And also eat far too many Quality Streets.

It's been an especially tough 12 months for many of us. So, as we wind down for the festive break, we wanted to ask our guests a series of festive questions – you know, the important stuff like favourite Christmas movies and what pet peeve from the creative industry they might ask Santa to get rid of, that sort of thing. We even get a visit from the big man himself: good old Saint Nicholas.

Alongside plenty of laughs, we get some real heartwarming stuff, too, and discover the best advice everyone has and their message to the creative community for the year to come.

A word of warning. There is a little colourful language in this episode. It's why we've marked it as explicit. We hope you don't mind. After the year we've had personally, we just wanted to let loose and have some fun. On behalf of everyone at Creative Boom, have a wonderful Christmas and here's to a peaceful and prosperous 2024!

It's something this week's guest, Graeme McGowan, knows only too well. As the creative force behind Jamhot, a Glasgow-based design studio, and the networking event Gab, Graeme has weathered economic storms and global upheavals, always emerging with new insights.

He may have started his business with the boundless energy of youth and nothing to lose, but today's responsibilities weigh heavier, adding pressure to an already high-stakes game. Through it all, Graeme champions a positive outlook, advocating that the best way to face challenging periods is with optimism and a readiness to embrace change. It's about finding the courage to do things differently and discovering that success sometimes lies in the unexpected and the uncharted.

So, how has he continued to evolve and keep his business vibrant and competitive in these turbulent times? What does success mean for a studio that has chosen to stay small on purpose? How does he manage to keep pace with a rapidly evolving industry? And why does he believe that not knowing your next step can be an advantage, especially when approached with a positive mindset?

As someone who thrives in the background, shying away from the spotlight, Graeme's journey in navigating the business world and attracting new clients is as unconventional as it is inspiring. His advice, grounded in honest experience and a positive embrace of the unknown, might just offer the fresh perspective you need.

Our conversation explores the unexpected joys of embracing life's uncertainties with a smile and reveals how staying positive in the face of the unknown can be the secret to ongoing creativity and innovation.

Change feels like it's been a running theme since the global pandemic, and now many of us are feeling pretty damn exhausted, fed up with everything shifting under our feet. To offer a positive slant, though, this week's guest is Metz ti Bryan, co-founder and production partner at The Or, a creative agency she launched in 2021. Part of the Mother Family, its core values are celebrating curiosity, rewarding empathy and encouraging independent thinking. And it is built on this premise – that change is something to embrace and behold.

Metz, herself, is someone familiar with change. She grew up in Latin America, later Canada and then moved to the UK in 2012, working at leading agencies such as adam&eveDDB, McCann London, and BBC Creative.

Her career has been about learning to pivot and adapt to the times. Change has been healthy for her, making her believe we should all be open to change. That adaptability is one of the most significant traits we can have to cope with the ups and downs of modern life, thrive in our careers, and even help make the world a better place.

That was certainly the case for this week's guest, Kirsty Minns, partner and executive creative director at Mother Design (part of the Mother family), who has shaped her entire career by choosing to only work for companies with values in line with her own.

Today, Kirsty has almost two decades of design experience in the brand-building space with the likes of The Future Laboratory, Google Creative Lab and DesignStudio, and has worked with an impressive range of clients. Her work stretches from developing award-winning experiences for Google Pixel and Selfridges, rebranding large complex components of the BBC and Facebook, to working on creative briefs for names such as Belstaff, Hunter, Baileys, Hennessy, Jamesons and Nike.

Right now, she's based at Mother, an agency with a strong purpose that she was drawn to – one that aims to create work that would "make their mothers proud". But Kirsty says it's more than that: it's about making the next generation proud, too. "It's as much about making our industry a rewarding, exciting place to work, trying to challenge what it looks like, surprising and delighting and entertaining our consumers as it is about changing the world," she explains.

But as Kirsty admits, not every brief should or can do that. Grand gestures are nice, but small steps and a little kindness can also make a huge difference to our industry and the wider world. We all have the power to speak up, suggest something better, or even adapt our own way of thinking. It all helps.

What else can Kirsty teach us about finding purpose and meaning in our creative work today? How can we ensure we're doing something worthwhile? We dive right in to get some insight.

Melissa Robertson is the CEO of Dark Horses in London. And she has launched an open-source menopause policy inspired by her own experience with the condition. She hopes it will open up the conversation within the workplace, not just in the creative industry, and stop so many talented women from leaving behind their careers when they're at the top of their game. The policy looks at the science behind menopause, explains the symptoms and considers how women struggle in everyday life when going through it.

Melissa has also recently become a director of Menopause Mandate, working on an all-important campaign with influential people such as Davina McCall and Mariella Frostrup to make sure women's voices are heard across the country. So, what does it feel like to go through menopause, and what can be done to normalise it so everyone understands? Melissa offers some insight.

Taking all that he's learned from running his studio, Brand Nu, the creative director, graphic designer, and author has just released two new books, Creativity For Sale and Mindful Creative. These new titles are based on his own experiences over two decades and offer solid advice and wisdom to help you triumph as a small business and hopefully avoid making the same mistakes.

Radim talks of his struggles, of working too hard and sometimes for the wrong people. He covers the kind of juicy stuff any of us could learn from. But, more often than not, these are the moments that we have to experience for ourselves before the lesson truly sinks in. Nevertheless, Radim wants to offer some reassurance that we all suffer the same stuff, so it's better to be aware of what might go wrong to prepare us for those difficult times.

He shares the good stuff, too. And there's plenty of that. So, if you've just gone freelance or been running a business for some time, we're sure our conversation will have you nodding in agreement and give you some extra comfort that you're not alone, and these are things we all go through.

Here to help us make sense of it all is Brian Hollingsworth, a brand consultant and graphic designer based in London who has become passionate about social media ever since he worked for The Conservative Party in 2018 and, later, a leading urban streetwear brand. Alongside running his own design studio, DAM, he's also behind The BKH – where he helps other creatives make the most of their online brand and reputation.

We wanted to know whether social media is still worthwhile – whether we're tweeting, X'ing or threading – how we can stand out amongst the noise without burning ourselves out, and where we are best focusing our time and attention to get the best possible return.

One of the world's most celebrated living designers, Sagmeister's exploration of human progress through the ages was inspired by a pessimistic conversation with a friend. Like many of us, his pal believed life was better in the "good old days" and that everything's got gloomier since then. But actually, that's simply not true. If you look at the facts, the world is more prosperous, people are living longer, and generally, things are better than they used to be.

Sagmeister took it upon himself to prove his friend wrong in his latest creative project and used historical art and data visualisation to paint a rosier picture of how far we've come. "I found the phenomenon of a highly educated person, so influenced by the daily news cycle that he carries a completely wrong view of the world, fascinating," says Stefan. "From a communication-design point of view, it seemed an interesting direction to tackle."

In showing us a more optimistic angle, he urges us to choose gratitude and positivity over pessimism and despair. And that's important, not just for our happiness and mental well-being but our drive and energy to create, too.

Sagmeister formed the New York-based Sagmeister Inc. in 1993 and has since designed for clients as diverse as the Guggenheim Museum, the Rolling Stones, and HBO. His work is in museum collections worldwide, and he teaches in the graduate department of the School of Visual Arts in New York. We hope today's conversation with Sagmeister inspires you to think about the future with much-needed hope.

Described as the "master conjurer of the instantly familiar", Scher straddles the line between pop culture and fine art in her iconic work, which can be seen just about everywhere you look. From the New York Public Theatre and MoMa to Tiffany & Co, Coca-Cola and Microsoft Windows, as well as iconic album covers for The Rolling Stones, Billy Joel, and Bob Dylan – Paula has had a phenomenal career thus far and continues to push boundaries as a partner at Pentagram.

In a typical project in 2012, Scher created a new logo for Windows 8 that took it back to its roots as a window. We touch on this during our chat and discover how she helped the global brand re-imagine its older four-colour symbol as a more modern geometric shape. It's typical of her no-nonsense approach to graphic design, which continues to be in huge demand today. And it's something any of us can learn from.

In fact, Paula has just released a new course for BBC Maestro, simply titled Graphic Design. It promises to explore the techniques central to successful visual communication, drawing on her own experiences in the field and offering exclusive insight into both her singular vision and innovative practices that have shaped today's industry.

But we also wanted to know her thoughts on self-promotion, why she has never liked social media, and – most importantly – where she thinks AI is heading and how it might shape the future of graphic design.

What better way to do so than return to our very first guest? And that's Malcolm Garrett. The esteemed graphic designer and creative director also happens to be one of the co-founders of Design Manchester, an annual festival in our home city and one that holds a special place on the international design calendar.

It's actually where we headed last month to meet Malcolm but also catch up with other former guests of our show plus meet some new names. It seemed particularly fitting to make our Christmas Special during Design Manchester, as this year's theme is about Legacy – something that honours the late great Professor David Crow of the Manchester School of Art, who was one of the champions and supporters of the festival.

Held in the Benzie Building of the esteemed art school, the event meant that everyone was reflecting on the legacy of Design Manchester as well as their own creative journeys, and how that legacy plays into the future. It was an honour to capture some of that reflection for Creative Boom – much of which we'll share now. And to just add a little fun, we asked everyone for their own Christmas memories – a time of year that means something different from one person to the next. But whether good or bad, it was agreed that the festive season brings people together. And I also asked about new year resolutions and how they feel about 2023.

We kicked things off with Malcolm but then also chatted with former Creative Review editor Patrick Burgoyne, creative director and stylist Harris Elliott, graphic designer and artist Ian Swift aka Swifty, graphic artist Anthony Burrill, designer and artist Sarah Boris, artist and illustrator Stanley Chow, designer and digital whizz Zoë Hitchen, material and performance artist and artistic director Naitiemu Nyanjom, designer and illustrator Jane Bowyer, designer Ian Anderson of The Designers Republic, and Sir Misha Black Awards Chairman and Arts University Bournemouth Honorary Fellow, Mary V Mullin.

That's it for Season Five of The Creative Boom Podcast. We're going to take a short break, but we will be back in 2023 with lots of new guests, covering many different themes – topics important to you as a creative professional. Until then, from myself and everyone at Creative Boom, we wish you a Merry Christmas and a prosperous and peaceful New Year.

We've been trying to get Angela on the show for quite some time. Disclaimer alert: we're great friends and once shared an office when she was running Design By Day – a brand and digital agency that had tremendous success, working for clients such as the NHS, Barnardo's, and Brother.

We fondly remember leaning out of the window of our Northern Quarter base, watching the world go by as we helped each other figure out all the challenges of running a business. Or when we had swivel chair races across the floor. Or create fun videos for her agency's Instagram feed. Or when we dressed one of our team as a 'hipster', complete with a fixie bike, turned-up jeans and a little hat. They were great times and great people: Sami, Jonathan, Rob (whom we've also had on the podcast), Parham and many more that followed. Angela looked after them all, offering a great place to work and grow.

But after 12 years – 16 months spent during the pandemic – Angela found herself at a difficult crossroads. After much soul-searching, which we can imagine wasn't easy for someone we know who cares hugely about other people, Angela decided running an agency wasn't for her anymore. And so, she closed Design By Day and launched her solo venture, Love & Logic.

In this episode, we'll talk about building a design agency and its many challenges, and we'll hear of Angela's experience of closing it down, despite its success. We'll cover themes of the fear of failure, confronting gut feelings, and opting for difficult choices when you know they involve more than just you.

After graduating in the field from North Carolina State University in 2015, she secured an internship at IDEO in Boston, which led to her first full-time job at a small creative shop before landing the role of Experience Designer at Airbnb in San Francisco a year later.

In 2019, she joined Koto in LA as a senior designer. It was during her time at that studio when the pandemic hit, which proved to be especially difficult for Meredith but also valuable. She realised she really did want to pursue a career in art, turning to illustration as her full-time gig. Well, it's been almost a year since she went freelance, all is going well, and she's just been signed by the agency, Jelly.

In this episode, we talk about Meredith beginning her journey as a fully-fledged illustrator, having previously worked in-house at some of the world's leading brands and design studios. We hear more of how she found herself in a bit of a bad patch during lockdown and why she decided to move away from a full-time design role. And then we get to grips with how she made that happen, how she found her optimistic and colourful style, and how she kept going. And how her voice has finally taken shape.

We even talk about all that practical but necessary business stuff. Because, as a freelancer, no one really tells you what it takes to work for yourself, so she was keen to share what she's learnt on that and much more.

Lyndsay has spent the past decade in marketing and creative communications for action sports, outdoors, fashion and lifestyle brands worldwide. We're talking Patagonia, Go Pro, Adidas, Arc’teryx, Yeti and many more. Originally from Scotland, she graduated in Corporate Communication from Robert Gordon University in 2008. But then went to the States to study Performing Arts at the University of Florida, where she discovered a passion for skateboarding.

That's where she stayed for a while, securing her first step on the career ladder at Bern Helmets in Boston before returning to the UK in 2014 to further her career in the outdoor and action sports world. It's been a whirlwind adventure ever since. She spent five or six years in London, where she continued her love of skating and also launched Neighbourhood Skate Club, which aims to create more opportunities for women in the UK to skate, connect and community-build. It's also designed to address issues such as consent, street harassment, domestic violence, sexual harassment, catcalling and male violence against women - while offering support to survivors and victims. 

Today, Lyndsay is based in Leeds after the pandemic forced her to take stock and realise she needed to leave the capital. It's where she continues to run the Club and work for All Conditions Media, immersing herself in the production and marketing world of extreme and outdoor sports. 

Her new project and short film, A Land For Everyone, is something she's also recently been involved with – it aims to show skateboarding in a new light while breaking down some of the barriers that exist within the sport - and in fact, action sports and the outdoor industry in general. We sat down with Lyndsay to discuss all of this and discover why – despite everything she's been through – she's hopeful for the future.

Dyneisha describes herself as someone who loves to tell stories, spark conversations and solve problems, starting with paper and a good writing utensil. Her punchy and colourful work reflects her bubbly and outgoing personality. And it was also one of the things that got her noticed after university, leading to awards and recognition that put her work in front of Ogilvy and landed her that dream job.

A graduate of Graphic Design from the Pennsylvania College of Art and Design, Dyneisha spent her final year in the depths of the global pandemic, trying to navigate the "new normal" and finish her degree. She began a side venture to keep herself sane during that time, creating and selling greeting cards in her distinct lettering style. These cards feature many positive messages that she admits act as affirmations for living a good life.

In this episode, we talk about the struggles she's overcome, the lessons of lockdown, and what she's found has helped her get noticed and succeed in her current career. We talk about social media and how it can be a blessing and a curse. We delve into the content she creates, which shows how she loves to spread some love and positivity, helping others in a similar position to succeed.

We also talk about diversity in the industry and how she feels about the future of design. It's always great to hear from those at the beginning of their creative careers, and Dyneisha doesn't hold back.

If you find yourself on Michael's personal website, you immediately get a sense of his character. There's a whole heap of humour and a dose of humility. He doesn't take himself too seriously but is passionate about the people and causes he gets behind. Whether he's focused on branding, design or illustration – collaboration and play are at the heart of everything he does.

A graduate of the Rhode Island School of Design, Michael's already enjoyed much recognition during a varied and rewarding career. He received the ADC Young Guns and New Visual Artists awards early on, recognising the world's top creatives under 30. A decade later, he's happily still at the helm of Franklyn, but much has changed since the pandemic and, more recently, since becoming a father.

In this episode, we get quite nostalgic, talking about Michael's childhood in Chicago and how his time spent with friends and growing up watching John Hughes movies inspired how he is today. With collaboration being so important to him, it almost feels as though that '80s innocence of bike rides, tree climbing and scratched knees, and occasional shenanigans with friends has never really left him.

It's this optimism that shines through his personality and his work. We've mentioned how he feels about "play", which comes across in his illustration practice – but whilst he mostly pokes fun at the world around him, he simultaneously highlights important issues.

Here, he gives us a wonderful insight into studio life beyond New York City, the difficult balance of career and fatherhood, and the legacy he wants to leave for his son. And we discover why he might just make a short film with childhood friends, inspired by those seemingly simpler times.

Tom is a founding member of Chermayeff & Geismar & Haviv (formerly Brownjohn, Chermayeff & Geismar and Chermayeff & Geismar), the highly respected design firm in New York, which he began with friends Ivan Chermayeff and Robert Brownjohn in 1957. Together, they became renowned for their fresh and creative approach to companies such as Pan Am, Chase Bank, and PBS – which paved the way for the design industry we know today.

During his incredible career, Tom has created outstanding designs across print, packaging and environmental. There are many highlights, including his impactful work for Xerox, which created a new standard for design in corporate communications. There was also his special relationship with Mobil over 35 years and his unique take on exhibitions, bringing together many creative disciplines to create stand-out designs for The Statue of Liberty Museum, Ellis Island Museum, and many more. It's no wonder he's considered a pioneer in the field.

In this episode, we talk about those early days in New York City when a tremendous cultural shift was afoot, and the design industry was a completely different landscape back then. We hear of their first office: a tiny bedroom which featured a desk – an old door propped up on makeshift legs – of which Tom sat across from his then partner and mentor Brownjohn.

There's some insight into some of his favourite projects, and we learn of some of his regrets. How his practice has changed over the decades, and why they have kept their design firm deliberately small. We hear what he thinks of new technology like DALL-E and how he feels about graphic design today.

For someone described as a "sweetheart" by New York's design community, Tom is a brilliant mind that has won many awards and continues to enjoy being part of his practice today, even after 65 years in the business.

Today, Rebecca is based in The Lakes, where she grew up. It's a small village with close family and a tight-knit community. But quite typically, when someone has enjoyed a quieter life as a child, she wanted to experience a different adventure in a big city. And so she packed her bags in 2004 and moved to London, where she studied Fine Art at Central Saint Martins.

During university, Rebecca admits it was the first time she became aware of her accent and how different she felt compared to others. And deep down, there was this knawing feeling she couldn't shake, which she would later realise was homesickness. In fact, she spent a considerable amount of time and energy trying to feel more at home in London, but it wasn't quite cutting it. Her career, meanwhile, had taken a slight detour as creative jobs were hard to come by, and Rebecca instead found a job and "home" working as a funeral director in North London. It was an experience she believes was the most foundational and inspirational of her career.

During that time, she began freelancing on the side, working in graphic design and illustration. On the surface, all was well. But home was calling. She was about to return to the North when she met her now-partner James and moved to Brighton in 2010. That's where they stayed for the next eleven years, and it was where Rebecca cut her teeth at Brandwatch, moving from junior designer to Design Director.

Then the pandemic hit – a time that forced many of us to reassess our lives. And so Rebecca and James decided to move back to the Lakes, where she grew up. And that's where she's now happily based, working remotely as part of the team at Loveblood Creative. It's where I travelled north to meet Rebecca in a thriving art and community centre on the outskirts of Penrith.

In this episode, we talk about leaving home as a working-class woman and moving to London – how it impacts; the positives and downsides. We talk about the journey many of us embark on to find ourselves and what "home" really means. We discuss how we might become lost, forget our identity and try and be something else to "fit in" and get ahead in our careers. But Rebecca rejoices in the recent epiphany that she no longer needs to comply. She explains, "The creative industry, in many ways, told me that I needed to change to succeed. To be in a certain city or live a particular way of life. I realised how ridiculous these predefinitions are and what we are missing out on as an industry due to our own biases."

We discover why she's now choosing to challenge the status quo, shake up what it means to be a successful creative director and why she's instead embracing what's right for her, leaning into her culture and being proud of who she is and what she has to offer.

Many of you will know why it's impossible to define precisely what you do. Job titles, after all, can be so limiting. It's why Muiz points out that he's a natural-born illustrator with an academic background in product design and fine art and also a qualified graphic designer working with clients as big as Arts Council England, Audi, and Bloomsbury. It's important for him to get this across, as so much of what we do influences our output.

Just as Muiz doesn't want to be defined by labels, he doesn't want to be put in any box because of his background or ethnicity. It's why he keeps a low profile online and has never shown his face on social media or the web.

Despite all this, Muiz has enjoyed a successful career, finding ways to network and get ahead via more traditional means. Straight after graduation, he spent 18 months working with two of the world's leading typographers – Bruno Maag and Erik Spiekermann, via Fontshop International. He tells us how that came about in this episode (and it's quite surprising).

He also reveals how he worked for the Palestine Festival of Literature for eight years. And we learn more about Rice & Gold, the creative studio he founded five years ago with his friend and illustrator Jonny Wan.

We also delve into the importance of identity and why you can be a success no matter where you're based. We cover the secrets of self-promotion without sharing your entire personal life on social media. Muiz also shares why real connections matter, as they're not "transactional", perhaps like a 'like' or retweet.

But mainly, we hear of Muiz finding himself, leaning into his strengths, and discovering that he – just like anyone else – has a real and valid voice that deserves to be heard.

Born in Massachusetts, Louise began her career in the 1970s and has since seen new technology disrupt and change the creative industries in ways many of us can't imagine – from the birth of the Apple computer to the software tools we still use today. 

Thanks to the Internet, Louise has recently launched the permanent home for The People's Graphic Design Archive to preserve graphic design history for future generations and act as a source of inspiration for creative professionals everywhere. She's one of its four co-founders – an online platform rooted in a passion for celebrating our industry's output and learning from our previous creations.

In this episode, we talk about new technology, how it transformed her career and why it's a force for good today. We discuss the rising tide of AI and its potential impact with tools like DALL-E. And we delve into Louise's path to success, the challenges she's faced, and the rewards she's enjoyed along the way. 

We really understand why preserving graphic design is a real labour of love for Louise and why it's so important that we somewhat remove the "gatekeepers" to celebrate all kinds of work and champion the unsung creators whose voices are often not heard. As she so beautifully puts it, "everything and everyone is valued" when you have something that anyone can contribute to.

Arthur has travelled the world since he accepted an internship at Landor Associates in San Francisco over a decade ago. He later moved to London and worked for Pentagram before joining Moving Brands for a couple of years, rising from junior to senior designer. In 2016, Arthur tried his hand at freelancing for under a year but then was snapped up by the London design agency Koto – becoming its Design Director in 2017. He's still there today but has recently moved to the States to head up its new studio in New York.

Although Arthur predominantly works in graphic design, he is also renowned for his illustration work – often merging the two disciplines to deliver stunning identities for the likes of Backmarket, Meatable, and Yubo. His illustration work, meanwhile, is instantly recognisable – often spotted on walls and billboards across London.

In this episode, we talk about his adventures around the world. And what "home" means to him when he's not in Paris – how all these other places where he's lived differ from one another; their various cultures and ways of doing business. He also shares how he found himself in San Francisco straight after college. And how he coped with not being able to speak a word of English.

We delve into his time at Koto and what it's like to be head of its new office in New York, which isn't even a year old. There's a bit of juicy insight into the studio's culture, how they might follow London's example and how it looks after its people. And Arthur shares why he believes everyone should be together, collaborating and supporting one another in the same room.

It's a fun chat with someone who clearly isn't afraid of the future and doesn't dwell too much on the past – something many of us will find comforting during these rocky and uncertain times.

The School is where Katie studied her own art foundation and a degree in Graphic Design. During her course, she looked around at the other students and teachers and found a calling to create a magazine called Fresh – one that would shine a spotlight on diverse creatives. It's a side project that has since opened many doors, built skills and confidence, and introduced Katie to the wider creative industry.

In fact, Fresh made Katie realise just how important it is to build her own community. And so, she's since become part of SLAN Collective, a global network of artists and designers who all support one another. She's also become one of the people behind Ladies, Wine & Design in Manchester – the networking group for women. Aside from these valuable hustles, Katie also runs a vegan food truck with her family.

In this episode, we talk about the values and life lessons Katie inherited from her parents and two brothers. It's the way she holds herself, not conforming to any gender roles and why she has the strength and courage to pave her way – despite having that conversation with her mother, the one some of you know only too well.

We also hear about side projects and why they can be so fruitful. About rebellion and artistic freedom. Of listening to your gut and not being afraid to change or quit something if it isn't working. Katie also shares why she will not accept the status quo and doesn't want to be pigeonholed into one field or merely picked out for the colour of her skin. It's a warm and honest conversation with someone who reminds us to count our blessings and counter these difficult times through the currency of kindness.

Now, if you're one of those creatives who doesn't do any marketing or seek fame in this industry, then Graham's approach will appeal. He's stayed deliberately quiet, not seeking out interviews or press coverage. Instead, he's been focusing on navigating his way through a successful career spanning over two decades. And he's had the publicity without even trying, as his work speaks for itself. He's been published in dozens of respected books by Victionary and Counter-Print and celebrated in magazines such as Computer Arts and Grafik.

Graham runs the independent design studio Loose Collective and is a part-time senior lecturer at the Manchester School of Art. If there's one thing he's especially famous for in the North West, it's for being one of the nicest people in the industry. Graham knows everyone and is well-loved. He's a positive force for good in the design community and someone who, we discover, has fought many battles to overcome his own mental struggles.

In this episode, we chat about the obsession with fame and fortune in the design industry, why it's bad for mental health and why being famous shouldn't be the goal. Graham also gives us a reality check about the field overall – it's not glamorous, for the most part. It can be hard work, a real slog. You have to love the profession to do it.

We also discuss overcoming imposter syndrome and the little mind tricks we can play to be happier creatives. And Graham gives us lots more reassuring advice to navigate what can sometimes feel like a demanding career.

His subsequent book Don't Call Me Urban! The Time of Grime was released in 2010, offering a fascinating insight into that world through music portraiture, reportage and architectural imagery. It shot to the top of the book charts and was immediately hailed as a classic of British documentary photography. Since then, Simon has continued his work around the grime scene – also as a filmmaker – and he is currently editing for a more comprehensive book that will cover the genre's evolution up to the present day.

Amongst Simon's career highlights have been a spectacular spell with the Magnum agency – producing groundbreaking work from the French suburbs after the riots of 2005 – and being selected as the worldwide ambassador for the launch of Leica's legendary M-series camera in 2006. In 2018, he was invited to be the in-house photographer at London's Abbey Road Studios.

Over the past decade, Simon has divided his time between London and India, the land of his maternal ancestry, where he has continued his photography and studied yogic philosophy and music. He also carries out workshops worldwide and is developing a course of photography that seeks to combine physical, mental and spiritual development.

A self-proclaimed outsider, we wanted to know more about how his childhood, moving between the varying cultures of Singapore and England, and how that experience shaped him as a person. We asked what it was like to attend a Surrey boarding school where he didn't really fit in and what led him to documentary photography, finding a sense of belonging in London. There's a lot we cover. It's a humbling conversation with a gentle, curious soul that today embraces his many quirks and traits – something we can all aspire to.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

Alison has had quite the journey to get here. After graduating from the University of Brighton in 2009 – at the height of the global economic crisis – she had internships at NB Studio, Small and various other agencies. It was typical of that era – jobs were scarce, and Alison did all she could to get onto the ladder. Her determination paid off as she landed her first role at Nelson Associates. She later joined Proud and spent three years building skills and experience there before securing a dream role at Wolff Olins as a senior designer. In 2018, she became part of the team at Design Studio, but two years later, she found her way back to a smaller agency via Accept and Proceed.

After spending 11 years in the creative industry, Alison realised there wasn't much support for the difficult "middle" – that part of our careers between graduation and the top of the ladder. So in 2019, she launched The Middle School to provide honest advice and practical skills to designers in the middle of their careers. By helping more people stay in the industry, realise their potential, and become better leaders, Alison hopes it'll be a small step towards tackling wider industry problems around diversity and mental health. In this episode, we talk about this and much more, including how she feels the industry is becoming more honest and vulnerable and why that's such a good thing.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

Now based in London, Aysha specialises in illustration, animation and textile design. Her work is playful, colourful, and often of everyday scenes full of charming characters like Fil, a lonely elephant who was also the star of her first picture book.

A graduate of Camberwell College of Arts, Aysha has worked in Illustration since breaking into the industry five years ago. Today she is represented by Closer & Closer in North America, and her clients include The New York Times, Facebook, and Stella McCartney. It’s been a whirlwind of success. One she partly puts down to being part of a thriving London community.

In this episode, we talk about freelancing as an illustrator and why it can often be hard to find your place in the world and settle on a style that suits you and your personality. We talk a lot about money – a subject that we feel just isn’t covered enough. And we understand more about what it takes to survive in an increasingly competitive field.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

Elliot Jay Stocks is a legend in the web design world. He began working as a junior designer for EMI Music, which he admits was a lucky break thanks to his portfolio, which had all the websites he'd designed and built for friends' bands while studying Contemporary Media Practice at university.

Some of you will remember Elliot's time spent at Carsonified – the website he designed for that agency went down in the web design hall of fame and today is still seen as a turning point for the industry.

With all that experience, Elliot has done a ton of talks around the world and written for magazines such as Computer Arts and Dot Net. In 2010, he launched a print magazine called 8 Faces, dedicated to type, typography and lettering. Later on, he joined Typekit as Creative Director, which has since become Adobe Fonts. Then, after getting married and becoming a father, he and his wife Samantha launched their own magazine on the elusive idea of work-life balance.

Today, he's working with Google on Fonts Knowledge, a library of original guides to the world of typography. Interestingly, he's been remote since 2013, working from his peaceful garden office near Bristol and where I was invited to sit down and chat about his journey so far.

Surrounded by many keyboards and instruments, showing a clear passion for making music on the side, we wanted to know if Elliot ever sits still and whether side projects and experiments have always been a focus. We wanted to ask how he feels about working for Google. And whether he's managed to achieve that ultimate goal that we all dream of – to balance life with work and be happy.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

Launched nearly 15 years ago with friend Matt Bland, the pair wanted to create a branding agency for people who "care less about how things are, and more about how things could be". That is anyone with the conviction to challenge the status quo. It's a mission that's done them proud. Today, the studio is behind fresh identities for the likes of Papier, Mindful Chef, Laka and East London Liquor Company. It's won many awards. And there's a team of nearly 40 talented designers, strategy directors, 3D artists, digital specialists and writers – all of whom the studio calls 'change-makers'.

So what does this change mean in design? And what has Max learnt over 15 years of running a studio that wants to do things differently? What's it been like growing a team – from global economic crisis to global pandemic? And how does Ragged Edge stand out in an increasingly competitive industry? Does Max even feel like the studio is fully established now? Or is there still work to do? We sat down with Max to find out more.

A tall yet quiet character, there's a humbleness to Max and an eagerness to push forward, keep improving and build on their success. To do the right thing. And to create something that puts people before profit. Perhaps leave a legacy that's about meaningful change and making a difference, more than anything else.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

A self-proclaimed 'hustle bunny', Boma began her career travelling the world, working incredibly hard and picking up skills and experience along the way. She spent two years in Vietnam as the PR and marketing manager for a large fashion retailer, which she admits was a "dream job" as she worked with brands such as Versace, Christian Louboutin, and Jimmy Choo. She then returned to the UK, where she launched her own business to specialise in project management. Today, she's settled in Kent and is the proud mother of three children, juggling parenthood with her role at JDO.

We wanted to learn more about her exciting adventures and how she found herself in her current role. From a dip into tourism and then modelling to discovering a passion for PR and marketing, there seems to be no limit to Boma's infectious energy and talents.

We talk about diversity and inclusion in the creative industry and why we still have a long way to go. And we share truths about confidence, motherhood and being a woman in design, and finding ourselves – realising our potential and embracing everything that comes our way.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

Hip-hop was just emerging in Britain, which he became obsessed with – along with all the associated culture, like graffiti art and sneakers. But Gush admits the street art "got him into a lot of trouble with the boys in blue and rival gangs" until his art teacher encouraged him to take that passion for art to explore graphic design and consider a respectable career in the creative industry.

So, in 1998, Gush took the plunge and founded Bulletproof using £2,000 of his personal savings. Today, his agency works with Cadbury, Football Association Wales and Soapsmith from studios in London, Amsterdam, New York, Sydney, Singapore and – most recently – Shanghai.

Describing Bulletproof as his "life's work", we were eager to learn more about what he's been through. The blood, sweat and tears. The big lessons and the bold moves. Join us for this fascinating, honest chat from one of the best names in the business – from racism and Brexit to hip hop, modern music and design; from overcoming childhood traumas and growing a global agency to adapting to the world today – Gush Mundae reveals all.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

With an MA in Graphic Design from the Royal College of Art, Marina has enjoyed an incredible career so far. She's led the design of major identities, including Rolls Royce, Oxfam, Nesta and Amnesty International. She recently rebranded Battersea and Sight and Sound Magazine. And as a multi-faceted designer, she has even designed major exhibitions for the Design Museum, including Ferrari: Under the Skin and Stanley Kubrick: The Exhibition. Both were the most-visited shows in the museum's history.

Elsewhere, Marina's first feature film, Red Trees, premiered at the 2017 Canne Film Festival and was released worldwide by Netflix in 2018 to much critical acclaim. She talks about it fondly in this episode and shares many other fascinating insights into her amazing creative journey.

We talk about her process and inspirations. We learn more about Pentagram and how she feels about the world right now. We discuss the idea of "home" and how it feels to be in London post-pandemic. And she shares the joy of realising that work continues to surprise her, even after it's been 20 years since she famously rebranded Tate.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

And a success Mat has truly been. Specialising in 2D type animation, Mat has become known for his pioneering style that explores illustrative kinetic typography. It's actually what made him famous, as he spent the pandemic creating simple yet positive type art on Instagram. He gained a huge following, which allowed him to raise his profile and network with the global creative community, leading to huge client wins such as Disney, Google, Nike and YouTube.

Spending so much time and effort on his Instagram account allowed Mat to flex his creative muscles and build on his skills. We wanted to chat with Mat about this rise to fame, his experience of Instagram overall and how when Covid-19 hit, he just got his head down and got on with his work. We talk of the treadmill of freelancing and how to find a good balance – even whether that's possible. We discuss looking after our mental health and the highs and lows of social media. And we hear more about creative copycats and how to cope with people who are a little too inspired by our own work.

There's a lot that Mat has generously shared here. So we hope this "friendly neighbourhood type animator", as he describes himself, brings you some warmth and wisdom this Monday morning.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

It’s a career he carved out for himself after suffering the effects of burnout during his days of crafting logos and building brand identities. It was 2008, at the peak of the global economic crisis when he decided to make the change from full-time employment to freelancing, spotting an opportunity to hire himself when no one else would.

Almost fourteen years later, Darnell has helped hundreds of clients to thrive and continues to apply everything he’s learnt so far – from his days as a kid in the '90s, hustling and making money from his comic book drawings, to his time helping tech startups to raise millions in funding.

We wanted to hear more about Darnell's path to success. And discover all the things he's learnt along the way. Believe me, his passion for business and creativity will spark a spring in your step today.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

Sarah specialises in making typography entertaining and relevant with humour, a dash of theatre and lashings of audience participation. And she is also the author of various books on type, including the bestselling book Why Fonts Matter and the title, How to Draw Type and Influence People.

Through her practice, she gets us to think about type in ways we never thought possible. Whether she's doing a TED X talk, TV interview, radio show or installation at the V&A – she takes typography way beyond the world of graphic design. Chef Heston Blu-men-thal even calls on Sarah as his "font science" expert.

I wanted to pick Sarah's brains on all things type. On how typography has changed since she first discovered it as a child, looking at chocolate and sweet wrappers in her local corner shop. We hear her thoughts on trends and the overall design industry about type snobbery and why we're all experts. And we delve into the subconscious and how we feel about various typefaces. Even whether they have the power to change the world, shape our behaviour and influence pop culture.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

Constance also runs Grrrl Games to support women and girls of all ages to make games. A big part of her practice is helping people to develop ideas and research plans – and she encourages people of all ages to be creative producers, rather than consumers. Her work history includes creative technologies research for HP, Intel, NESTAfuturelab, pmstudio/Watershed and various community-based and educational organisations. She’s also part of the University of West of England team delivering the MSc in Data Science.

In this episode, we talk about women and girls in gaming, why there still aren't enough of us and how we can inspire more to join the industry. We talk of diversity in gaming overall and whether any progress has been made in recent years. We consider gender roles and identity and why it's important to create female as well as gender-neutral video game characters. And there's a delve into the creative process of game design, and why you don't need to know how to use a computer to get started.

For anyone interested in making video games, Constance is hosting a course at Clayhill Arts in Somerset from 13 to 15 May 2022. Titled Creating Stories: Game Design For Complete Beginners, it will show participants how to experiment with this rapidly-growing medium using simple, analogue tools.

Season Four of The Creative Boom Podcast is kindly sponsored by Astropad Studio.

Venessa is also behind one of the UK's tallest murals, celebrating the pioneering work of Sylvia Pankhurst. She's won awards, become a Great Mancunian – which is a local project by Manchester College to celebrate people who have had a significant cultural and creative impact on the City of Manchester and its surrounding areas – and has been appointed as an official ambassador for The Pankhurst Centre.

But despite all this success, Venessa has gone through unimaginable suffering and loss of late. Even for this podcast, she told us of further sadness. But as always, she is positive, and full of and warmth and determination. This strength perhaps comes from having a solid family and local community. It's perhaps why Venessa dedicates so much time to helping others, as she and her sister also run Seven Three One, a non-profit organisation that uses creativity to further the education and skills of serving prisoners, ex-offenders and disengaged young people.

Here, Venessa chats about finding her voice despite the sexism or racism she has sometimes endured. About not having a seat at that mythical table and why it's important to build our own, welcoming everyone else to join us. We hear why it took Venessa a while to declare herself an artist. And we talk of her work, colour, pattern, doing what we love, having confidence, speaking up, speaking out – and why great things can happen if we let down our armour, be ourselves and embrace all the joyful wonderful things that make us unique and special.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

With so much happening in the tech world right now – including Facebook rebranding as Meta, the increasingly noisy conversation about privacy, and recent leaks that have shocked the world – we felt it was a timely conversation to consider how we use the Internet and social media, and why we might want to review the browsers, search engines, tools, platforms and apps that we use.

We talk about digital minimalism, social media holidays, managing Twitter and removing all followers (and why that is beneficial but sometimes problematic). We talk data, tracking and advertising. We also ponder over the value we get back from sharing our lives with the world. Of course, these are themes that have possibly entered the realm of death, funerals, and pensions – we don't like to talk about them. It's often easier to ignore, hoping that the issues will go away.

But the elephant in the room is that millions of us are suffering from "online fatigue" and we're increasingly worried about our mental health, weekly screentime and privacy. As such, many of us are looking for an escape from this digital world. Never mind the metaverse, if you've been thinking about how you use apps, how you email or browse the web, then Dave will definitely leave you something to think about.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

Her work is vivid, vibrant and explorative. Eye-catching colours and powerful affirmations are a common feature, too, as Ananya describes herself as a feminist illustrator and someone who wants to support people with invisible illnesses. 

Here, we learn more about Ananya's journey and how she came to suffer herself. Why it's important to speak up and share her experience to help others. She highlights the importance of rest and listening to our bodies. She also talks of discrimination, a lack of understanding – and how she's trying to turn that around, making people more aware of the invisible disabilities or illnesses that people might have. It's an important topic. 

Ananya also talks of her childhood, about bullying and racism, how that's made her a stronger person, able to cope with the challenges of today. She is so hopeful and positive that the creative community can be the force that brings positive change. This is a positive, thoughtful chat for anyone curious to learn more about these topics or perhaps have the reassurance they are not alone.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

Influenced by urban kitsch, nature and neon signage, he works across many mediums, including hand-drawn skateboards, canvases, plasticine sculptures, painted basketballs and digital pieces.

Tim came up to Manchester earlier this year and popped round my house. As expected, he turned up very well dressed and donning an excellent pair of sneakers. Trainers are, in fact, something of a passion project for Tim, who has Nike, Adidas, and Foot Locker amongst his many happy clients. Interestingly, he's entirely self-taught as he didn't have a formal education. We talk about this and much more, including his days living in Japan and returning to the UK to open an independent record shop in London. It's where he discovered a passion for graphic design and illustration and began moving in that direction. 

Tim also shares his love of technology. We get nostalgic and talk of Walkmans, CDs and computer games. Tim reveals why he wants to live forever, so he can see how the world changes – particularly how technology advances. We also talk about why he immediately had to go freelance and why social media was a saving grace and is something he still enjoys today. And we hear why next year, Tim hopes to spend more time playing and doing things he loves. A fun, joyful and light-hearted conversation with an optimistic, humble human being.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

Born in Pakistan, Anoosha has spent much of her life moving around the world, growing up in Switzerland, Dubai, Saudi Arabia, and settling in Toronto. She studied Illustration in Switzerland and began her career in animation, starting on the preschool series 'Dot' for Sprout and Disney Jr before beginning to work extensively in children's books.

Her debut picture book, Bilal Cooks Daal, won an award and led to further commissions, including the most recent Rise Up and Write It by Nandini Ahuja. And this year, she was excited to have a dream come true, publishing her debut children's book, which she wrote and illustrated.

In her spare time, Anoosha co-hosts a podcast called The Art Corner, which aims to educate younger artists on the ins and outs of the art industry. She also has her own YouTube channel. As a woman of colour, Anoosha's priority in her work is always diversity; she never saw herself in the media she consumed as a child and wants to correct that with more diverse stories and characters.

Here, we talk of diversity in animation, how she's thankful for being a freelance illustrator in the 2020s when she's free to create a wealth of different characters and stories, and why audiences have more power to shape the books and the films we all enjoy. She is optimistic about the future and talks of her passion for creating children's books and inspiring the next generation. We also learn of her career shift from animation to publishing and why listening to your heart and knowing when to make a change is so important. We also hear how she moved away from her identity when she was a child, as a teacher mispronounced her name – sadly, a common issue. 

We dip into the issue of pricing and why no one is talking about money in the world of freelance illustration. And if you're an illustrator yourself, keen to find out how to get published, Anoosha gives us an insight into that often secretive industry.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

His debut book, Champagne and Wax Crayons, was published in 2015 to much acclaim – it offers an honest account of what it means to be creative. Since then, he's won an award, written a few more books, and started his own show, The Creative Condition Podcast, which features insightful interviews with people across the creative community.

Ben grew up in Keighley, West Yorkshire, where he loved Leeds United, wrestling and video games – things that clearly inspire his art today. He has a BTEC in Graphic Design from Keighley College and a BA in Illustration from the University of Central Lancashire. Here, Ben shares his experience of being a freelance illustrator and what he's learned over the past 20 years.

It's an inspiring conversation with someone who is full of passion and determination, and who has this innate ability to capture the many ups and downs of modern life – from imposter syndrome and losing ourselves in creative trends to suffering isolation working from home and overcoming those difficult days when we get stuck and can't seem to get going. This is especially insightful for any aspiring illustrator who is hoping to carve a career out of freelancing in what can often feel like a challenging industry.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

It all began in 2013 at just 14 years old when she uploaded her first video to YouTube. Today, she has millions of subscribers and social media fans who enjoy her fun and quirky doodles, positive illustrations and updates on bullet journaling, as well as hand-lettering tutorials.

If you've not heard of bullet journaling, it's a planning system created by Ryder Carroll which is meant to be an "evolving, adaptable practice meant to be self-curated as you determine what's best for you". This is certainly reflective of Amanda's own career path – one that she admits has been a massive learning curve, as she has had to wear so many different hats over the years and find ways to continue to grow. Luck has played a part, she admits, but it's clear that hard work has also helped.

It's not all been fun and games: social media has an ugly side, too. We talk about internet trolls, dealing with negative comments and the impact on our mental health. But then we share lots of tips on coping with these things and seeing the positive in everything. And Amanda is indeed positive, as we share a few laughs on things like gaming, Animal Crossing and the absurdity of modern life.

Given that being online is such a big part of our work life, I thought it would be fascinating to chat with Amanda and hear about her immense success, as well as her thoughts on changing algorithms, internet trolls and staying sane online. We also learn more about how she's carved a career out of content creation and illustration. I think this is especially helpful for anyone hoping to learn more about marketing and build their own online presence in what has become an increasingly competitive space.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

He's co-created lots of notable side projects – like the famous 40 Days of Dating (which also became a book) and 12 Kinds of Kindness with Jessica Walsh. He's also behind People of Craft, a growing showcase of creatives of colour. And he's the author of the Sharpie Art Workshop. He's got a third book in the making, which he announces in this podcast. Timothy has also done a collection with Uniqlo. And he's just enjoyed his first solo exhibition in New York, too.

I'd got some impression of what Timothy might be like through various interviews and projects, but I didn't expect such an open and honest chat about his life and work. Or that we'd cover the meaning of life. Timothy also talks candidly about the lessons he's learnt, of having to pay and work his way through education, and why it's so important to have side projects, ask for help, and speak up and speak out. As we're on the verge of welcoming 2022 and hoping it brings much positivity, I thought this was a timely conversation with someone that doesn't hold anything back.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

Whether it's for ad campaigns, window displays, editorial pieces, or live events, Niki favours a mixture of watercolour paints, marker pens, ink, and fine liner. Before her venture into illustration, she was a fashion designer for 15 years, something she says helps her enormously in her career, as she has a unique understanding of colour, fabric and print.

Aside from her freelancing, Niki is part of the brilliant live-illustration LIL Collective, which brings together a selection of talented fashion illustrators who specialise in events illustration. So far, she's illustrated at venues such as Selfridges, Harrods, and even live on air for BBC Radio 1.

I met Niki in London last month to hear more about her creative journey. Our conversation threw up lots of helpful advice on freelancing, marketing, and surviving as a professional illustrator. We hear of her fascinating experience of being a fashion designer, her time living in India, and how a backpacking trip to Australia led to her first illustration commission and work with Vogue. And we dive into cultural shifts, slow fashion, and diversity in the creative industries.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

He says he tries to avoid any pretence and instead wallows in humour, whilst touching on the absurd and surreal. With nearly 600,000 followers on Instagram, Alex enjoys sharing little comic strips and illustrations that are joyfully dark, creepy and unexpected. With this in mind, it was with some anticipation that I met Alex in London earlier this year.

There was nothing to fear though. We talk about Alex's journey so far and how he had a bit of a delayed start in the creative industries. How he's carved a career out of dark and humorous illustrations, comics, and more recently, animations. Interestingly, Alex admits he hopes to move away from the genre one day. We can't help but discuss the pandemic and how it's impacted him and how he realised he'd been running for a long time since graduating six years ago. It's an episode full of the highs and lows of freelancing, finding our creative voices, learning when we can pick and choose clients and projects.

We also spend some time talking about TV shows, movies and culture from our childhoods – discovering we're both equally as forgetful as each other. One thing that I really found with Alex is his curiosity, kindness, and interest in other people. Most refreshingly, we discover Alex's curiosity, kindness, and interest in other people. A must-listen for those keen to build a successful career in illustration.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

She began her career as a designer at Vintage Books (part of Random House) and later The Boston Globe Sunday Magazine. She then became senior art director for Rolling Stone, where she worked for 15 years, working her way up the ladder. In 2002, she was creative director at Spot Co, a studio that specialises in advertising for the arts and entertainment sectors. Today, Gail is a co-founder of Anderson Newton Designs, which she runs with Joe Newton.

Gail has won numerous awards for her work over the years – some of which is in the permanent collections of the Cooper Hewitt National Design Museum and the Library of Congress. She's also co-author with Steven Hellar of various design books, including the recent Type Speaks. And she's come full circle, working at the School of Visual Arts in New York where she enjoys teaching the next generation of graphic designers.

Earlier this month, we chatted with Gail between lectures about what she's been up to lately. We hear more about her family, her childhood, and how the pandemic made her realise a few harsh truths. We learn of pumpkins and bears, and the real joy of having a place to call home. This is a warm and inspiring conversation with one of the biggest yet most humble names in graphic design today.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

Aside from his freelance work, he's also one of the co-founders of London creative studio Olga and Kay, which he runs with photographer Olga Kott. Along with their collaborative projects, they're on a mission to give talks at local universities and colleges to inspire younger people to pursue a creative career. Kieron admits he didn't see many people who looked like him when he was in education, so wanted to do something about it.

In the coming months, a book he designed, called Still Breathing: 100 Black Voices on Racism, will be exhibited at venues across London and the South East. And this week, Kieron will be one of the key speakers at Adobe Max.

He's achieved a lot since we first wrote about him back in 2017. I met him in London in September, during London Design Festival, to chat about his decision to go freelance during a pandemic, why he loves to give back to the next generation, and how he's feeling after quite a few eventful years. We discuss the power of side projects, pushing creative skills and how to build confidence. We also talk of life getting back to normal, of dinner parties and how the world is changing for the better.

Season Three of The Creative Boom Podcast is kindly sponsored by Capture One.

Passionate about supporting others, spreading positivity and giving back wherever possible, Robert shares plenty of honest insight and reassuring wisdom to help all of us be happier creatives.